The Good Apprentice Author
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The Good Apprentice
Author: Iris Murdoch
language: en
Publisher: National Geographic Books
Release Date: 2001-12-01
Edward Baltram is overwhelmed with guilt. His nasty little prank has gone horribly wrong: He has fed his closest friend a sandwich laced with a hallucinogenic drug and the young man has fallen out of a window to his death. Edward searches for redemption through a reunion with his famous father, the reclusive painter Jesse Baltram. Funny and compelling, The Good Apprentice is at once a supremely sophisticated entertainment and an inquiry into the spiritual crises that afflict the modern world. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The Good Apprentice
Stuart Cuno has decided to become good. Not believing in God, he invents his own methods, which include celibacy, chastity and the abandonment of a promising academic career. Interfering friends and relations question his sincerity, his sanity and his motives. Stuart's step-brother Edward Baltram is tormented by guilt because he has, he believes, killed his best friend. He dreams sometimes of redemption, sometimes of suicide. Funny, compelling and extremely moving, THE GOOD APPRENTICE is about guilt ridden despair, and the difficult problem of how to try to be good - and the various magical devices which console those who are sensible enough not to try.
Iris Murdoch, Philosopher Meets Novelist
Author: Sofia de Melo Araújo
language: en
Publisher: Cambridge Scholars Publishing
Release Date: 2011-05-25
Iris Murdoch, Philosopher Meets Novelist aims to gather some of the world’s present experts on Iris Murdoch, in an effort to promote dialogue between philosophy and literature. This is due not only to the nature of Iris Murdoch’s work itself, but also to our belief that within Humanistic Studies there is a constant need for breaking down disciplinarian barriers and reaching a deeper, fuller awareness of human thinking. Thus, the book brings together scholars from a variety of fields and places—Brazil, England, Iran, Ireland, Italy, Portugal, Spain, Turkey, Taiwan, and the United States—and testifies to the interest that the work of Murdoch continues to inspire. The book is divided into two major sections: Part A, Reading Philosophies in Literature, includes articles focusing on Iris Murdoch’s philosophical concerns and their general influence in her work; Part B, Reading Literature through Philosophy, is intended as a sort of application ground, a series of case-studies wherein authors depart from novels to retrieve the underlying philosophical thinking.