The Gardens Of The Dead
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The Gardens Of The Dead
Elizabeth Glendinning QC has lost faith in the legal system. In an attempt to restore it, she has secretly devised a scheme to bring back to court a guilty man - Graham Riley - whom she had successfully defended some ten years before. As part of an elaborate contingency plan, Elizabeth leaves the unsuspecting Father Anselm with a key to a safety deposit box, to be opened in the event of her death. Three weeks later she is found dead in the East End of London and, once the box has been opened, a chain of events is triggered as if from beyond the grave, leading Anselm to fulfil what Elizabeth has begun. A powerful portrait of the dark heart of London and a tense thriller, THE GARDENS OF THE DEAD confirms William Brodrick's growing critical reputation.
Muqarnas
Oleg Grabar, On Catalogues, Exhibitions, and Complete Works; Jonathan M. Bloom, The Mosque of the Qarafa in Cairo; Leonor Fernandes, The Foundation of Baybars al-Jashankir: Its Waqf, History, and Architecture; Howard Crane, Some Archaeological Notes on Turkish Sardis; Nancy Shatzman Steinhardt, Siyah Qalem and Gong Kai: An Istanbul Album Painter and a Chinese Painter of the Mongolian Period; Do?gan Kuban, The Style of Sinan's Domed Structures; Yasser Tabbaa, Bronze Shapes in Iranian Ceramics of the Twelfth and Thirteenth Centuries; Mehrdad Shokoohy and Natalie H. Shokoohy, The Architecture of Baha al-Din Tughrul in the Region of Bayana, Rajasthan; Glenn D. Lowry, Humayun's Tomb: Form, Function, and Meaning in Early Mughal Architecture; Peter Alford Andrews, The Generous Heart or the Mass of Clouds: The Court Tents of Shah Jahan; Priscilla P. Soucek, Persian Artists in Mughal India: Influences and Transformations; A.J. Lee, Islamic Star Patterns;
The Work of the Dead
Author: Thomas W. Laqueur
language: en
Publisher: Princeton University Press
Release Date: 2018-05-08
The meaning of our concern for mortal remains—from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.