The Fuhrer S Orphans
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The Fuhrer's Orphans
In this moving novel based on true events, a teacher and a British spy discover a group of children hiding from the Nazis in WWII Munich. When their parents are taken to concentration camps, twenty-seven children are left alone, hungry, and scared. Claudia Kellner, a German elementary school teacher, discovers the group hiding in a deserted Munich railroad yard. Only able to hide two of them in her home, she is desperate to find shelter for the others. Meanwhile, British spy Peter Chesham has penetrated Third Reich territory. But his critical mission is interrupted when he discovers the orphans' hiding place. Following through on his orders would have fatal consequences for them. But giving up could mean losing the war. Now Peter and Claudia must work together, attempting an impossible rescue operation with the children's lives—and the fate of the world—at stake.
Women's Holocaust Writing
Author: S. Lillian Kremer
language: en
Publisher: U of Nebraska Press
Release Date: 1999-01-01
Women's Holocaust Writing, the first book of literary criticism devoted to American Holocaust writing by and about women, extends Holocaust and literary studies by examining women's artistic representations of female Holocaust experiences. Beyond racial persecution, women suffered gender-related oppression and coped with the concentration camp universe in ways consistent with their prewar gender socialization. Through close, insightful reading of fiction S. Lillian Kremer explores Holocaust representations in works distinguished by the power of their literary expression and attention to women's diverse experiences.
The Red and the White
The Red and the White: The Cinema of People's Poland takes a fascinating look at the history of post-war Polish cinema, and how it was affected by the political, social and cultural upheavals throughout the period 1947-89. This timely study re-evaluates the legacy of Socialist Realism, the representation of the war, cinematic portrayals of national myth and cultural history, literary adaptation and surrealism, and discourses of exile and national identity. Although paying particular reference to the work of Krzysztof Kieslowski and Andrzej Wajda, this book considers the contribution of a wide range of filmmakers, including Jerzy Skolimowski, Krzysztof Zanussi, Agnieska Holland, Andrzej Munk, Jerzy Kawalerowicz, Wojciech Has and Roman Polanski. The volume also includes unique primary archival research into the role of state-sponsored censorship, and coverage of Polish-Jewish representations in film. Among the many films discussed are A Generation, Eroica, Ashes and Diamonds, Family Life, The Promised Land, The Hour Glass Sanatorium, Hands Up!, Decalogue 8, Europa, Europa and The Double Life of Veronique.