The Fright File

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Ghostcatcher

After successfully ridding Peligan of Gallows' murderous spook, Mr Grip, Lil and Nedly turn their attentions to another suspected haunting. But Peligan City has had enough of ghosts and has hired ghost catchers - and Nedly finds himself being hunted. Luckily, he has Lil on his side. Now an apprentice reporter for the Klaxon, Lil manages to talk her way into a job shadowing intrepid journalist Marsha Quake, who is writing a feature on Ghostcatcher Inc. So with Lil's help, Nedly is able to stay one step ahead, but how long for? As Nedly develops his own inimitable and slightly haphazard haunting style, hoping to become a hero of Peligan City by protecting the weak and thwarting the powerful, Lil finds herself clashing with her mum, a journalist committed to uncovering the truth at all costs. Lil must protect Nedly by covering his tracks or risk losing him forever. Can she find a way?
Hitchcock and the Censors

Author: John Billheimer
language: en
Publisher: University Press of Kentucky
Release Date: 2019-06-14
Edgar Award Winner: This lively account of the director’s battles with the Code Office is “an essential addition to any Hitchcock shelf” (Mystery Scene Magazine). From 1934 to 1968, the Motion Picture Production Code Office controlled the content and final cut on all films made and distributed in the United States. Code officials protected sensitive ears from standard four-letter words, as well as a few five-letter words like tramp and six-letter words like cripes. They also scrubbed “excessively lustful” kissing from the screen and ensured that no criminal went unpunished. Thus, throughout his career, Alfred Hitchcock had to deal with a wide variety of censors attuned to the slightest suggestion of sexual innuendo, undue violence, toilet humor, religious disrespect, and all forms of indecency, real or imagined. During their review of Hitchcock’s films, the censors demanded an average of 22.5 changes, ranging from the mundane to the mind-boggling, on each of his American films. Code reviewers dictated the ending of Rebecca, absolved Cary Grant of guilt in Suspicion, edited Cole Porter’s lyrics in Stage Fright, decided which shades should be drawn in Rear Window, and shortened the shower scene in Psycho. In Hitchcock and the Censors, John Billheimer traces the forces that led to the Production Code and describes Hitchcock’s interactions with code officials on a film-by-film basis as he fought to protect his creations, bargaining with code reviewers and sidestepping censorship to produce a lifetime of memorable films. Despite the often-arbitrary decisions of the code board, Hitchcock still managed to push the boundaries of sex and violence permitted in films by charming—and occasionally tricking—the censors and by swapping off bits of dialogue, plot points, and individual shots (some of which had been deliberately inserted as trading chips) to protect cherished scenes and images. By examining Hitchcock’s priorities in dealing with the censors, this work highlights the director’s theories of suspense as well as his magician-like touch when negotiating with code officials.
Paranormal Case Files of Great Britain (Volume 1)

Strange tales of ghosts and hauntings can be found from all corners of the Earth and records show that accounts of ghostly presences go well back into antiquity. As a researcher on the paranormal, Malcolm Robinson takes from his files incredible tales of ghosts and paranormal events. He also shares with us his own ghostly encounters of which he has had more than his fair share. This book covers some amazing cases from haunted council houses to haunted castles. Malcolm brings forward personal accounts from people who have had first hand dealings with ghosts, their testimony will shock you and in a court of law this testimony would be hard to dismiss. This book provides a stunning and frightening look at some of Britain's ghostly case files. This book should be read by believers and sceptics alike, as there is nothing like hard evidence. Read on if you dare.