The Fifth Element Characters


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The Terministic Screen


The Terministic Screen

Author: David Blakesley

language: en

Publisher: SIU Press

Release Date: 2007-09-28


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The Terministic Screen: Rhetorical Perspectives on Film examines the importance of rhetoric in the study of film and film theory. Rhetorical approaches to film studies have been widely practiced, but rarely discussed until now. Taking on such issues as Hollywood blacklisting, fascistic aesthetics, and postmodern dialogics, editor David Blakesley presents fifteen critical essays that examine rhetoric’s role in such popular films as The Fifth Element, The Last Temptation of Christ, The Usual Suspects, Deliverance, The English Patient, Pulp Fiction, The Music Man, Copycat, Hoop Dreams,and A Time to Kill. Aided by sixteen illustrations, these insightful essays consider films rhetorically, as ways of seeing and not seeing, as acts that dramatize how people use language and images to tell stories and foster identification. Contributors include David Blakesley, Alan Nadel, Ann Chisholm, Martin J. Medhurst, Byron Hawk, Ekaterina V. Haskins, James Roberts, Thomas W. Benson, Philip L. Simpson, Davis W. Houck, Caroline J.S. Picart, Friedemann Weidauer, Bruce Krajewski, Harriet Malinowitz, Granetta L. Richardson, and Kelly Ritter.

Home Front Heroes


Home Front Heroes

Author: Elizabeth Abele

language: en

Publisher: McFarland

Release Date: 2013-12-04


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This book traces the effects of the feminist and civil rights movements in the construction of Hollywood action heroes. Starting in the late 1980s, action blockbusters regularly have featured masculine figures who choose love and community over the path of the stoic loner committed solely to duty. The American heroic quest of the past 25 years increasingly has involved a reclamation of home, creating a place for the Hero at the hearth, part of a more intimate community with less restrictive gender and racial boundaries. The author presents pieces of contemporary popular culture that create the complex mosaic of the present-day American heroic ideal. Hollywood popular films are examined that best represent the often painful shift from traditional heroic masculinity to a masculinity that is less "exceptional" and more vulnerable. There are also chapters on how issues of race and gender intersect with the new masculinity and on subgenres of 1990s films that also developed this postfeminist masculinity.

Meanings and Other Things


Meanings and Other Things

Author: Gary Ostertag

language: en

Publisher: Oxford University Press

Release Date: 2016-11-24


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Stephen Schiffer's writing has been central to analytic philosophy of language and mind since the 1970s. In 1972 his book Meaning launched an important research program into Gricean, or intention-based, approaches to linguistic meaning, which would come to dominate much subsequent theorizing about language. A sea change occurred in 1987 with the publication of Remnants of Meaning. Schiffer here repudiated the project initiated by Meaning, arguing that the theory of public-language meaning it described and the account of mental representation it required were based on false presuppositions. The ramifications here were far reaching and set the agenda for discussions in the philosophy of language and mind for a generation. In 2003, The Things We Mean initiated a more positive program, but one informed by the negative results of Remnants. Things also reflected the broadening of Schiffer's concerns, which now extended to metaphysics, metaethics, and the skeptical paradoxes. In Meanings and Other Things fourteen leading philosophers explore central themes in Schiffer's writings. Topics range from theories of meaning to moral cognitivism, the nature of paradox, and the problem of vagueness. The volume also contains a comprehensive introduction that describes the evolution of Schiffer's thought, and closes with Schiffer's replies to his critics, extended essays that bring us up to date on Schiffer's current thinking on the themes that have defined not only his career, but philosophy of language as it is now practised.