The Farmer S Daughter Tv Show Cast
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Television Series and Specials Scripts, 1946-1992
In the early days of television, many of its actors, writers, producers and directors came from radio. This crossover endowed the American Radio Archives with a treasure trove of television documents. The collected scripts span more than 40 years of American television history, from live broadcasts of the 1940s to the late 1980s. They also cover the entire spectrum of television entertainment programming, including comedies, soap operas, dramas, westerns, and crime series. The archives cover nearly 1,200 programs represented by more than 6,000 individual scripts. Includes an index of personal names, program and episode titles and production companies, as well as a glossary of industry terms.
Beverly Garland
Named "Television's First Lady" by Walter Ames of the Los Angeles Times, actress Beverly Garland (1926-2008) is also regarded as a Western and science-fiction film icon. Beverly was TV's first "police woman" in the landmark series Decoy, and was seen in starring or recurring roles in such popular shows as My Three Sons and Scarecrow and Mrs. King. In addition to more than 700 television appearances, she made more than 55 feature and made-for-television films including the cult classics Not of This Earth, It Conquered the World and The Alligator People. Working with such stars as Sinatra, Bogart, and Bing Crosby, Beverly Garland had fascinating stories to tell about all of them and many more. This comprehensive biography of Beverly's life and career includes a foreword and afterword by her colleagues Joseph Campanella and Peggy Webber.
Indie TV
This edited collection is the first book to offer a wide-ranging examination of the interface between American independent film and a converged television landscape that consists of terrestrial broadcasters, cable networks and streaming providers, in which independent film and television intersect in complex, multifaceted and creative ways. The book covers the long history of continuities and connections between the two sectors, as seen in the activities of PBS, HBO or Sundance. It considers the movement of filmmakers between indie film and TV such as Steven Soderbergh, Rian Johnson, the Duplass brothers, Joe Swanberg, Lynn Shelton and Gregg Araki; details the confluence of aesthetic and thematic elements seen in shows such as Girls, Breaking Bad, Master of None, or Glow; points to a shared interest in regional sensibilities evident in shows like One Mississippi or Fargo; and makes the case for documentaries and web series as significant entities in this domain. Collectively, the book builds a compelling picture of indie TV as a significant feature of US screen entertainment in the 21st Century. This interdisciplinary landmark volume will be a go-to reference for students and scholars of Television Studies, Film Studies and Media Studies.