The Ex Boyfriends Collect Them All
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Left to Die
NOTHING’S MORE TERRIFYING . . . One by one, the victims are carefully captured, toyed with, then subjected to a slow and agonizing death. Piece by piece, his exquisite plan takes shape. The police can’t yet see the beauty in his work—but soon, very soon, they will . . . THAN BEING LEFT ALONE . . . In the lonely woods around Grizzly Falls, Montana, four bodies have been discovered. Detectives Selena Alvarez and Regan Pescoli have been hoping for a career-making case, but this is a nightmare. Even with the FBI involved, Selena and Regan have nothing to go on but a killer’s cryptic notes, and the unsettling knowledge that there is much worse to come . . . TO DIE . . . When Jillian Rivers opens her eyes, she’s trapped in a mangled car. Then a stranger, claiming to be a trail guide named Zane MacGregor, pries her free. Though she’s grateful, something about him sets Jillian on edge. And if she knew what lay out there in the woods of Montana, she’d be truly terrified. Because someone is waiting . . . watching . . . poised to strike and make Jillian the next victim . . .
Beyond Debt
Rook Collins is reliving the most horrific moments of his decade of combat service overseas when he is awakened by the sounds of automatic gunfire outside his Los Angeles apartment. Before he can even react to the chaos around him, though, he discovers a suicide message from his brother and races off to find him. Agents Delphi and Ferrous are in the business of explaining the unexplainable. The recent discovery in Mexico of a mysterious green skeleton, identified as belonging to one of their own, puts them on a search for answers. The first destination on their list, the now abandoned psychiatric prison and last known address of the former agent.
MOD
Welcome to the world of the sharp-suited ‘faces’. The Italianistas. The scooter-riding, all-night-dancing instigators of what became, from its myriad sources, a very British phenomenon. Mod began life as the quintessential working-class movement of a newly affluent nation – a uniquely British amalgam of American music and European fashions that mixed modern jazz with modernist design in an attempt to escape the drab conformity, snobbery and prudery of life in 1950s Britain. But what started as a popular cult became a mainstream culture, and a style became a revolution. In Mod, Richard Weight tells the story of Britain’s biggest and most influential youth cult. He charts the origins of Mod in the Soho jazz scene of the 1950s, set to the cool sounds of Charlie Parker and Miles Davis. He explores Mod’s heyday in Swinging London in the mid-60s – to a new soundtrack courtesy of the Small Faces, the Who and the Kinks. He takes us to the Mod–Rocker riots at Margate and Brighton, and into the world of fashion and design dominated by Twiggy, Mary Quant and Terence Conran. But Mod did not end in the 1960s. Richard Weight not only brings us up to the cult’s revival in the late 70s – played out against its own soundtrack of Quadrophenia and the Jam – but reveals Mod to be the DNA of British youth culture, leaving its mark on glam and Northern Soul, punk and Two Tone, Britpop and rave. This is the story of Britain’s biggest and brassiest youth movement – and of its legacy. Music, film, fashion, art, architecture and design – nothing was untouched by the eclectic, frenetic, irresistible energy of Mod.