The End Of Fun

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The End of Fun

Introduced with an exclusive essay by Will Self placing the eponymous sculpture The End of Fun in both the context of the Chapman's oeuvre and historical interpretations of Hell, this book is a detailed examination of the work. Completed in 2012, it is the latest incarnation of the brothers' famous Hell (1999), which was consumed in the MOMART fire of 2004. Following on in both layout and format from the book Fucking Hell (2008), The End of Fun consists of close-up photographs detailing the atrocities committed by the subjects of the work: thousands of miniature Nazis and skeletons, who seem to be engaged in an eternal battle across nine separate vitrines, arranged in the shape of a reverse swastika. Each dreadful scene is played out against a series of equally apocalyptic backdrops: a derelict factory; a concentration camp; a shattered church; an erupting volcano. Dark humour permeates: in one vitrine a still-smiling Ronald McDonald is being crucified; in another a dreadlocked Stephen Hawking grows marijuana; in yet another, seven separate Adolf Hitlers make distinctly 'degenerate' paintings of a nude, oblivious to the carnage raging around them.
The End of the Odyssey of the Idiots

The Odyssey of the Idiots is an autobiography of the author with satirical tones discussing the politics and history that have led America to where it is today. Manuscript’s Strengths • The author uses an educated style and language that will appeal to an educated/scholarly audience. This language sets up the book to be for an educated audience who has some understanding of the topic and wishes to learn more regarding the issues discussed. • Including the glossary of terms in the back of the book was great on the part of the author to provide a tool for readers to fully understand the author’s terminology in the book. It adds a reference for readers to be able to refer to if they need further clarification of terms, which will assist in their better grasping the author’s meanings and message. • The author’s language holds a dramatic and descriptive flair that helps contribute to the engagement of readers in the text. It makes the author’s writing unique and adds something readers may not find elsewhere.