The Empty Space Manchester
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Rebuilding Urban Complexity
This is a book about urban complexity – how it evolves and how it gets destroyed. It explores the structures of interdependency which underpin cities, where the many different “parts” (people, streets, industry sectors) interact to form an evolving “whole”. The book explores the evolution and destruction of complexity in one city – Greater Manchester – but also other post-industrial cities, including Sheffield and Newcastle, Detroit and New Haven. The focus is on the networked qualities of public urban space, and how street networks work as multiscale systems. The book also explores economic networks, and the evolving sets of interconnecting economic capabilities which help to shape urban economies. It demonstrates how cities evolve through processes of self-organisation – and concludes by considering how policy makers can best harness such processes as they rebuild urban complexity following insensitive planning interventions in the 1960s and 1970s. The book will appeal to anybody with an interest in cities, and how they work. It is interdisciplinary in scope, weaving in strands from architecture, economics, history, anthropology and ecology. It is written for academics but also non-academics, including urban planners, architects, local economic development actors and other policy makers.
Beckett, Deleuze and Performance
This book draws on the theatrical thinking of Samuel Beckett and the philosophy of Gilles Deleuze to propose a method for research undertaken at the borders of performance and philosophy. Exploring how Beckett fabricates encounters with the impossible and the unthinkable in performance, it asks how philosophy can approach what cannot be thought while honouring and preserving its alterity. Employing its method, it creates a series of encounters between aspects of Beckett’s theatrical practice and a range of concepts drawn from Deleuze’s philosophy. Through the force of these encounters, a new range of concepts is invented. These provide novel ways of thinking affect and the body in performance; the possibility of theatrical automation; and the importance of failure and invention in our attempts to respond to performance encounters. Further, this book includes new approaches to Beckett’s later theatrical work and provides an overview of Deleuze’s conception of philosophical practice as an ongoing struggle to think with immanence.
Stage-Play and Screen-Play
Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined. Each chapter’s evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh’s The Cripple of Inishmaan and RSC Live’s simulcast of Richard II to F.W. Murnau’s silent Tartüff, Peter Bogdanovich’s film adaptation of Michael Frayn’s Noises Off, and Akiro Kurosawa’s Ran, highlighting the multiple interfaces between media. Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.