The Dreams Our Stuff Is Made Of
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The Dreams Our Stuff is Made Of
Author: Thomas M. Disch
language: en
Publisher: Simon and Schuster
Release Date: 2000-07-05
A popular insider offers a fascinating history of science fiction filled with provocative critiques, tidbits, and insights that reveal much about our cultural and literary history.
The Dreams That Stuff Is Made Of
"God does not play dice with the universe." So said Albert Einstein in response to the first discoveries that launched quantum physics, as they suggested a random universe that seemed to violate the laws of common sense. This 20th-century scientific revolution completely shattered Newtonian laws, inciting a crisis of thought that challenged scientists to think differently about matter and subatomic particles.The Dreams That Stuff Is Made Of compiles the essential works from the scientists who sparked the paradigm shift that changed the face of physics forever, pushing our understanding of the universe on to an entirely new level of comprehension. Gathered in this anthology is the scholarship that shocked and befuddled the scientific world, including works by Niels Bohr, Max Planck, Werner Heisenberg, Max Born, Erwin Schrodinger, J. Robert Oppenheimer, Richard Feynman, as well as an introduction by today's most celebrated scientist, Stephen Hawking.
A Catalog of Such Stuff as Dreams Are Made On
Author: Kai-cheung Dung
language: en
Publisher: Columbia University Press
Release Date: 2022-06-21
Dung Kai-cheung’s A Catalog of Such Stuff as Dreams Are Made On is a playful and imaginative glimpse into the consumerist dreamscape of late-nineties Hong Kong. First published in 1999, it comprises ninety-nine sketches of life just after the handover of the former British colony to China. Each of these stories in miniature begins from a piece of ephemera, usually consumer products or pop culture phenomena, and develops alternately comic and poignant snapshots of urban life. Dung’s sketches center on once-trendy items that evoke the world at the turn of the millennium, such as Hello Kitty, Final Fantasy VIII, a Windows 98 disk, a clamshell mobile phone, Air Jordans, and cargo shorts. The protagonist of each piece, typically a young woman, is struck by an odd, even overriding obsession with an object or fad. Characters embark on brief dalliances or relationships lasting no longer than the fashions that sparked them. Dung blends vivid everyday details—Portuguese egg tarts, Japanese TV shows, the Hong Kong subway—with situations that are often fantastical or preposterous. This catalog of vanished products illuminates how people use objects to define and even invent their own selves. A major work from one of Hong Kong’s most gifted and original writers, Dung’s archaeology of the end of the twentieth century speaks to perennial questions about consumerism, nostalgia, and identity.