The Doan Brook Handbook

The Doan Brook Handbook

Empire Builders

Empire Builders tells the story of Oris P. and Mantis J. Sweringen, two brothers from Wooster, Ohio, in the late nineteenth and early twentieth centuries. Although they were born into abject poverty, Oris was an extraordinary visionary who, with the help of his devoted younger brother, amassed a vast fortune in real estate and railroad developments. Their major breakthrough came in 1913 with the establishment of Shaker Heights, an affluent garden suburb connected by a brand-new interurban railroad to the booming midwestern metropolis of Cleveland. The Van Sweringens' ascension after Shaker Heights was meteoric, and it culminated with the construction of the 52-story Terminal Tower in downtown Cleveland in 1927. However, the country's economy came crashing down after the 1929 stock market collapse, and their empire crumbled around them. Empire Builders is the first new biography of the Van Sweringen brothers in more than twenty years. In it, architectural photographer and local history author Lauren R. Pacini tells the remarkable story of the Van Sweringen brothers through words and images. This richly illustrated volume features more than 150 new photographs of the still-fabulous historic homes the brothers built throughout greater Cleveland. The foreword is written by John J. Grabowski.

The Oxford Handbook of Community Singing

"The Oxford Handbook of Community Singing shows in abundant detail that singing with others is thriving. Using an array of interdisciplinary methods, chapter authors prioritize participation rather than performance and provide finely grained accounts of group singing in community, music therapy, religious, and music education settings. Themes associated with protest, incarceration, nation, hymnody, group bonding, identity, and inclusivity infuse the 47 chapters. Written almost wholly during the 2020-21 COVID-19 pandemic, the Handbook features a section dedicated to collective singing facilitated by audiovisual or communications media (mediated singing), some of it quarantine-mandated. The last of eight substantial sections is a repository of new theories about how group singing practices work. Throughout, the authors problematize the limitations inherited from the western European choral music tradition and report on workable new remedies to counter those constraints"--