The Digested Read
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The Digested Read
Literary ombudsman John Crace never met an important book he didn't like to deconstruct. From Salman Rushdie to John Grisham, Crace retells the big books in just 500 bitingly satirical words, pointing his pen at the clunky plots, stylistic tics and pretensions of Big Ideas, as he turns publishers' golden dream books into dross.
Brideshead Abbreviated
John Crace's 'Digested Read' column in the Guardian has rightly acquired a cult following. Each week fans avidly devour his latest razor-sharp literary assassination, while authors turn tremblingly to the appropriate page of the review section, fearful that it may be their turn to be mercilessly sent up. Now he turns his critical eye on the classics of the last century, offering bite-sized pastiches of everything from Mrs Dalloway to Trainspotting via Lolita and The Great Gatsby. Those who have never quite got around to reading A Portrait of the Artist as a Young Man will be delighted to find its essence distilled into a handful of paragraphs. Those who have never really enjoyed Lord of the Flies will be pleased to find it hilariously parodied in an easily swallowable 982 words. And those who find all such works a little highbrow will be relieved to discover, between the covers of this book, John Crace's take on the likes of Ian Fleming, P. G. Wodehouse and the Highway Code. Witty and sharp, this is essential reading both for those who genuinely love literature and for those who merely want to appear ridiculously well read.
Unscripted
As the star of the award-winning BBC series The Apprentice, Alan Sugar has won millions of fans who tune in to watch his mix of business wisdom, witty putdowns and ability to cut straight through bullshit. But how did the famously straight-talking entrepreneur end up fronting one of our most successful and long-running shows, and why were some of his biggest challenges during his ten years in television to be found outside the boardroom and off camera? In Unscripted, Alan Sugar reveals all this and more as he embarks on a new and sometimes bewildering career. He describes how he lost patience with some of the luvvies, wafflers and wannabes he encountered along the way, and tells us what he really thought of some of the tasks and candidates he came across during the making of The Apprentice, giving his reaction to the egos and the backbiting as well as the genuine talent that shone through. He explains how he brought on board Nick Hewer, Margaret Mountford and Karren Brady, what became of the winners when the cameras stopped rolling - and how working on the show has inspired him and many others. As with his previous books, What You See Is What You Get and The Way I See It, there is no ghostwriter; this is written by the man himself. And, as ever, it is honest, funny and outspoken - Alan Sugar at his entertaining best.