The Devil S Playground Documentary
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Dancing on the Devil's Playground
An inside look at the unique balance the Amish strike between tradition and the demands of the modern world. From technology to social forces, the Amish face an evolving modern world. Their facility in determining whether to accept, reject, or bargain with the options that challenge them allows for measured change that sustains their social fabric and beliefs. In Dancing on the Devil's Playground, James A. Cates employs a sociocultural model to analyze this negotiation and its applications in Amish culture. Cates, a clinical psychologist, draws on his extensive experience working with Amish families and communities as a mental health professional, as well as the scholarship of Donald B. Kraybill, a leading Amish expert who developed the "negotiation with modernity" model. Cates uses this paradigm to examine the Amish's principles of assessment and evaluation, their cautious tempo in response to change, and their strategies of critical analysis during negotiations. Dancing on the Devil's Playground features seven fascinating case studies of how the Amish interact with legal, health care, and civil authorities and will help readers better understand Amish perspectives on medical, social, and emotional aspects of life. These case studies include, for example, negotiation with the telephone, services for special medical needs, substance abuse, child sexual abuse, and domestic violence. These essays illustrate the negotiation techniques the Amish use to protect their unique culture while adapting to the needs of the modern world. The Amish adopt, adapt, defer, or decline the changes they face, all while maintaining their traditions and a unique identity that includes an appropriate distance from the rest of the world.
The Art of the Documentary
Documentary filmmaking is a powerful and vital element to our society, and those who are responsible for bringing real stories and issues to a creative medium often have an uncanny ability to make a deep connection to us with their art. Legendary directors and cinematographers such as the Maysles brothers, D.A. Pennabaker & Chris Hegedus, Errol Morris, or Ken Burns have vividly made their marks in recent decades and continue to inspire those who enter the field. Inexpensive video camera equipment and video editing software have helped fuel a new wave of truth-tellers, bringing the tools of the craft within reach of amateurs and students, as well as independent journalists and filmmakers on a budget. In The Art of the Documentary, the directors, editors, cinematographers, and producers behind today's most thought-provoking nonfiction films reveal the thought processes, methods, and collaborations that have guided their efforts- from project conception to developing, producing, shooting, editing, and releasing some of the finest documentary films of recent decades. This richly illustrated volume, which will appeal to professional and aspiring filmmakers, as well as documentary enthusiasts, features conversations with directors, cinematographers, editors, and producers, including Ken Burns (The Civil War, Jazz, Baseball), director/cinematographer D A Pennebaker (Dont Look Back, The War Room), director/cinematographer Albert Maysles (Gimme Shelter, Grey Gardens), director Errol Morris (The Fog of War, The Thin Blue Line), director Chris Hegedus (Startup.com, Down from the Mountain), editor Larry Silk (Pumping Iron, Wild Man Blues), cinematographer Buddy Squires (The Civil War, Ram Dass, Fierce Grace), director/producer Lauren Lazin (Tupac: Resurrection, Journey of Dr. Dre), editor/director Paula Heredia (The Vagina Monologues, In Memoriam: New York City, 9/11/01), director/cinematographer Kirsten Johnson (Fahrenheit 9/11, Innocent Until Proven Guilty), editor Geof Bartz (Lenny Bruce: Swear to Tell the Truth, He's Having a Baby), Sheila Nevins, President of HBO Documentaries and HBO Family, Alison Bourke, executive producer for IFC, Cara Mertes, executive producer at PBS for the POV series, Frazer Pennebaker, producer. And with contributions by: Carol Dysinger, film editor and professor, NYU Film School, and Haskell Wexler, cinematographer. A Note About the Second Edition: In this edition of the book, we have included the original full interviews of the producers that did not appear in the first edition. Those producers include Sheila Nevins, Lauren Lazin, Alison Palmer Bourke, Cara Mertes, and Frazer Pennebaker. The interviews of the directors, cinematographers and editors have been left in tact and are included as they appeared in the first edition. The filmographies of each interviewee have been updated to include recent works.
Contemporary Australian Cinema
Author: Jonathan Rayner
language: en
Publisher: Manchester University Press
Release Date: 2000
This introduction to the new Australian film industry explores prominent directors and stars, themes, styles, and evolving genres in an analysis of key films. The evolution of genres peculiar to Australia and adaptations of conventional Hollywood forms such as the musical and the road movie are examined through readings of landmark films, including Picnic at Hanging Rock, Mad Max trilogy, and The Adventures of Priscilla, Queen of the Desert. The key issue of the revival--the definition, representation, and propagation of a national image--is woven through the analysis.