The Dancing Man Guinness

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Madhouse

'An absolutely brilliant read' Patrick Kielty, Late Late Show, RTÉ ‘Blisteringly honest . . . hilarious, traumatic, joyful and terrifying. Fasten your seatbelts, it’s going to be a bumpy read!’ Liz Nugent 'Gloriously unabashed . . . vibrant, poignant and surprisingly hopeful' Irish Times I grew up in a psychiatric experiment crossed with an alcoholic experiment. . . . a place run by two people who were extraordinarily drunk and guarded by a potentially vicious dog with a brain tumour. PJ Gallagher spent much of his childhood knocking back Lucozade with the local alcoholics in his parents' northside pub. But the chaos that reigned for his first ten years was nothing compared to what happened when - having lost the pub - his mum took in six psychiatric patients from the local hospital to give them 'care in the community'. Worst. Idea. Ever. Madhouse is PJ's riotous life story. Covering everything from dogs, motorbikes and the art of small talk, to the lessons of mental breakdown and finally figuring out love, this is PJ unbound. Most surprising - to PJ more than anyone - is the prospect of becoming a dad in his late forties, when he always thought of 'family' as a trap. Madhouse is the funny, insightful and moving story of someone just trying to keep his head above water - and how he is making sense of it all at last! 'Terrifically honest, as well as a being funny and sad' Matt Cooper, The Last Word, Today FM 'Delivered in Gallagher’s brilliantly blunt northside brogue, evoking a shade of Roddy Doyle' Irish Independent 'Tells his story with humour and insight making it feel as though you are chatting with an old friend' Irish Examiner 'Bold, anarchic . . . relates wild antics and traumas from his tumultuous life with both humour and perceptive clarity' Business Post 'So open . . . amazing for understanding and trying to destroy the stigma [of mental health struggles] . . . a great read' Elaine Crowley, Ireland AM, Virgin Media
Paid, Owned, Earned

Author: Nick Burcher
language: en
Publisher: Kogan Page Publishers
Release Date: 2012-03-03
The complexity of media that now sees multiple channels accessed through multiple devices has created major challenges for today's marketing and advertising professionals. Consumer time is split between TVs, laptops, iPads, X-Boxes and smartphones, with traditional media, websites, videos, social networks and apps all competing for attention, meaning it's difficult for brands to decide how best to reach and engage their audiences. Paid, Owned, Earned defines the constituents of each area of 'paid', 'owned' and 'earned' media and shows how they are linked together. It proposes a blueprint for how to think and navigate across this space using a framework made up of key elements such as communities and content, social media optimisation, seeding and viral distribution, broadcast mass media, social performance media and measurement.
Erotic Triangles

Author: Henry Spiller
language: en
Publisher: University of Chicago Press
Release Date: 2010-08-15
In West Java, Indonesia, all it takes is a woman’s voice and a drum beat to make a man get up and dance. Every day, men there—be they students, pedicab drivers, civil servants, or businessmen—breach ordinary standards of decorum and succumb to the rhythm at village ceremonies, weddings, political rallies, and nightclubs. The music the men dance to varies from traditional gong ensembles to the contemporary pop known as dangdut, but they consistently dance with great enthusiasm. In Erotic Triangles, Henry Spiller draws on decades of ethnographic research to explore the reasons behind this phenomenon, arguing that Sundanese men use dance to explore and enact contradictions in their gender identities. Framing the three crucial elements of Sundanese dance—the female entertainer, the drumming, and men’s sense of freedom—as a triangle, Spiller connects them to a range of other theoretical perspectives, drawing on thinkers from Eve Kosofsky Sedgwick, Lévi-Strauss, and Freud to Euclid. By granting men permission to literally perform their masculinity, Spiller ultimately concludes, dance provides a crucial space for both reinforcing and resisting orthodox gender ideologies.