The Dalkey Archive
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Bottom's Dream
"I have had a dream past the wit of man to say what dream it was," says Bottom. "I have had a dream, and I wrote a Big Book about it," Arno Schmidt might have said. Schmidt's rare vision is a journey into many literary worlds. First and foremost it is about Edgar Allan Poe, or perhaps it is language itself that plays that lead role; and it is certainly about sex in its many Freudian disguises, but about love as well, whether fragile and unfulfilled or crude and wedded. As befits a dream upon a heath populated by elemental spirits, the shapes and figures are protean, its protagonists suddenly transformed into trees, horses, and demigods. In a single day, from one midsummer dawn to a fiery second, Dan and Franzisca, Wilma and Paul explore the labyrinths of literary creation and of their own dreams and desires. Since its publication in 1970 Zettel's Traum/Bottom's Dream has been regarded as Arno Schimdt's magnum opus, as the definitive work of a titan of postwar German literature. Readers are now invited to explore its verbally provocative landscape in an English translation by John E. Woods.
The Recognitions
Author: William Gaddis
language: en
Publisher: New York Review of Books
Release Date: 2020-11-24
A postmodern masterpiece about fraud and forgery by one of the most distinctive, accomplished novelists of the last century. The Recognitions is a sweeping depiction of a world in which everything that anyone recognizes as beautiful or true or good emerges as anything but: our world. The book is a masquerade, moving from New England to New York to Madrid, from the art world to the underworld, but it centers on the story of Wyatt Gwyon, the son of a New England minister, who forsakes religion to devote himself to painting, only to despair of his inspiration. In expiation, he will paint nothing but flawless copies of his revered old masters—copies, however, that find their way into the hands of a sinister financial wizard by the name of Recktall Brown, who of course sells them as the real thing. Dismissed uncomprehendingly by reviewers on publication in 1955 and ignored by the literary world for decades after, The Recognitions is now established as one of the great American novels, immensely ambitious and entirely unique, a book of wild, Boschian inspiration and outrageous comedy that is also profoundly serious and sad.
Re: Quin
Author: Robert Buckeye
language: en
Publisher: Dalkey Archive Press
Release Date: 2013-09-05
An unabashedly personal and partisan critical biography of the great British experimentalist of the 1960s. The influential, daring, and lacerating novels of Ann Quin were very much products of their time—but Quin herself had more than a little influence upon shaping the era in which she lived. Her works bracket the ’60s and embrace their drive to experiment and break through to another form of consciousness, and so another means of telling stories, as J. G. Ballard, and B. S. Johnson were doing, and as, later—in many ways following directly in Quin’s footsteps—Kathy Acker would as well. In reading Quin we are taught to question the very enterprise of fiction itself; to read Quin one must be prepared to lose one’s way. Re: Quin is an unabashedly personal and partisan critical biography of one of the greatest and yet most neglected fiction writers of the so-called “experimental” wave of British novelists of the 1960s.