The Creation And Inheritance Of Digital Afterlives
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The Creation and Inheritance of Digital Afterlives
This book explores how social networking platforms such as Facebook, Twitter, and WhatsApp ‘accidentally’ enable and nurture the creation of digital afterlives, and, importantly, the effect this digital inheritance has on the bereaved. Debra J. Bassett offers a holistic exploration of this phenomenon and presents qualitative data from three groups of participants: service providers, digital creators, and digital inheritors. For the bereaved, loss of data, lack of control, or digital obsolescence can lead to a second loss, and this book introduces the theory of ‘the fear of second loss’. Bassett argues that digital afterlives challenge and disrupt existing grief theories, suggesting how these theories might be expanded to accommodate digital inheritance. This interdisciplinary book will be of interest to sociologists, cyber psychologists, philosophers, death scholars, and grief counsellors. But Bassett’s book can also be seen as a canary in the coal mine for the ‘intentional’ Digital Afterlife Industry (DAI) and their race to monetise the dead. This book provides an understanding of the profound effects uncontrollable timed posthumous messages and the creation of thanabots could have on the bereaved, and Bassett’s conception of a Digital Do Not Reanimate (DDNR) order and a voluntary code of conduct could provide a useful addition to the DAI. Even in the digital societies of the West, we are far from immortal, but perhaps the question we really need to ask is: who wants to live forever?
Digital Afterlife
Despite the range of studies into grief and mourning in relation to the digital, research to date largely focuses on the cultural practices and meanings that are played out in and through digital environments. Digital Afterlife brings together experts from diverse fields who share an interest in Digital Afterlife and the wide-ranging issues that relate to this. The book covers a variety of matters that have been neglected in other research texts, for example: The legal, ethical, and philosophical conundrums of Digital Afterlife The ways digital media are currently being used to expand the possibilities of commemorating the dead and managing the grief of those left behind Our lives are shaped by and shape the creation of our Digital Afterlife as the digital has become a taken for granted aspect of human experience. This book will be of interest to undergraduates from computing, theology, business studies, philosophy, psychology, sociology, and education from all types of institutions. Secondary audiences include researchers and postgraduate researchers with an interest in the digital. At a practical level, the cost of data storage and changing data storage systems mitigate the likelihood of our digital presence existing in perpetuity. Whether we create accidental or intentional digital memories, this has psychological consequences for ourselves and for society. Essentially, the foreverness of forever is in question. Maggi Savin-Baden is Professor of Higher Education Research at the University of Worcester. She has a strong publication record of over 50 research publications and 17 books. Victoria Mason-Robbie is a Chartered Psychologist and an experienced lecturer having worked in the Higher Education sector for over 15 years. Her current research focuses on evaluating web-based avatars, pedagogical agents, and virtual humans.
Depicting the Afterlife in Contemporary Film and Media
What lies beyond death? This book brings together a diverse collection of scholarly voices to explore how popular culture imagines—and reimagines—the afterlife. Drawing from film, television, video games, literature, advertising, and digital technologies, this book examines how narratives about Heaven and Hell, ghosts and gods, memory and immortality shape contemporary understandings of morality, death, and what may come after. From Pixar’s Coco to The Good Place, Ghostbusters, Upload, and Westworld, these chapters interrogate the enduring power of afterlife narratives to provide existential comfort, moral guidance, and cultural critique. Whether through the lens of theology, philosophy, or secular imagination, contributors consider how popular media blurs the sacred and the profane, challenging dogma, reframing ethics, and offering new possibilities for how we remember the dead and live among the living. Spanning topics such as queer love in the afterlife, Indigenous cosmologies, digital resurrection, and the theological implications of robots, Depicting the Afterlife in Contemporary Film and Media: Morality, Religion and Death is a timely exploration of how the afterlife continues to haunt and inspire modern culture. Essential reading for scholars of media studies, religious studies, cultural theory, and anyone fascinated by humanity’s oldest and most enduring question: what happens when we die?