The Correspondent Movie
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The Correspondent
Author: Peter Greste
language: en
Publisher: Univ. of Queensland Press
Release Date: 2025-04-01
In a world where the first casualty of war is truth, journalists are increasingly at risk of becoming part of the battlefield. Peter Greste's career as a foreign correspondent has taken him to some of the most serious conflicts, including Afghanistan, Iraq and Somalia. Reporting from the frontline in some of the world's most dangerous countries was part of his job. But when he was charged with threatening national security and incarcerated in an Egyptian prison in 2014, he found himself in the middle of a fight– not just for his own release, but for press freedom around the world. On foreign soil and facing a sham trial, Greste endured solitary confinement and detention for 400 days. Based on extensive interviews and research, Greste's gripping story was originally published as The First Casualty. Retitled to tie in with the major new film, The Correspondent, this updated edition provides a first-hand insight into the challenges facing Western media in the face of terrorism– from Trump's phony war on "fake news" and the repression of Putin's Russia, to the war zones in Ukraine and Gaza.
I Found it at the Movies
For nearly half a century Philip French's writing on cinema has been essential reading for filmgoers, cinephiles and anyone who enjoys witty, intelligent engagement with the big screen. His vast knowledge of the medium is matched by his love for it. I Found It at the Movies collects some of the best of Philip French's film writing from 1964 to 2009. Its subjects are as various, entertaining and challenging as cinema itself: Kurosawa and the Addams family; Satyajit Ray and Doris Day; from Hollywood and the Holocaust to British cinema and postage stamps. I Found It at the Movies is an illuminating companion to the world of the cinema. I Found It at the Movies is the first of three collections of Philip French's writings on film and culture
Represented Reporters
War correspondents are prominent actors in the media world. They took hold in the cultural imaginary soon after their profession had been created in the mid-19th century. With a particular focus on Britain, this study investigates the representation of war correspondents from Victorian times to the present, in memoirs, novels and films. Such representations react to prevailing notions that exist about war reporters and participate in their further construction. With its cultural approach, this book complements studies of war correspondents in media and communication studies, history and ethnology.