The Concerto Grosso Featured What Characteristic
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Weinzweig
Author: Brian Cherney
language: en
Publisher: Wilfrid Laurier Univ. Press
Release Date: 2018-03-31
John Weinzweig (1913–2006) was the pre-eminent Canadian composer of his generation. Influenced by European modernists such as Stravinsky, Berg, and Webern, he was the first Canadian composer to employ serialism, thereby bringing a spirit of innovation to mid-twentieth-century Canadian music. A forceful advocate for modern Canadian composition, Weinzweig played a key role in the founding of the Canadian League of Composers and the Canadian Music Centre during a buoyant and expansive period for the arts in Canada. He was an influential force as a teacher of composition, first with the Royal Conservatory of Music and later with the University of Toronto’s music faculty. This first comprehensive study of Weinzweig since his death consists of new essays by composers, theorists, and musicologists. It deals with biographical aspects (the social context of early-twentieth-century Toronto, his activism, his teaching, his early scores for CBC Radio dramas), analyzes his compositional processes and his output (his approach to serialism, his instrumental practice, the presence of jazz elements, the vocal works, the divertimenti), and examines various evaluations of his music (his own – in letters, interviews, talks, and writings – plus those of critics and scholars, of listeners, and of performers). The essays are framed by the co-editors’ portrait/assessment of Weinzweig and a brief personal memoir. Much of the content draws on new research in the extensive Weinzweig Fonds at Library and Archives Canada in Ottawa. Included at the end of the book are a [http://www.wlupress.wlu.ca/General/beckwith-cherney-list-of-works-discography.pdf List of Works by John Weinzweig by Kathleen McMorrow and a Discography by David Olds] both available here as pdfs. Supplementing the volume is an audio CD of extracts (some in their first public release), ranging from a 1937 student work to a song cycle of 1994. Read the [http://www.wlupress.wlu.ca/General/beckwith-cherney-cd-notes.pdf Notes and Texts for the CD.]
Concerti Grossi - The Complete Compositions
Author: Pasquale De Marco
language: en
Publisher: Pasquale De Marco
Release Date: 2025-07-24
Concerti Grossi: The Complete Compositions is the definitive collection of concerti grossi by the world's greatest composers, including Handel, Bach, Vivaldi, and Telemann. These works are essential listening for any lover of Baroque music, and this volume presents them in their entirety, with detailed notes on each piece. The concerto grosso is a form of Baroque music that originated in Italy in the early 18th century. It is a concerto for a small group of soloists (the concertino) and a larger group of accompanying instruments (the ripieno). The concerto grosso was a popular form of music throughout the 18th century, and it was composed by many of the leading composers of the period. The concerti grossi in this volume are some of the most famous and beloved works of the Baroque era. Handel's Concerto Grosso in B-flat major, Op. 6, No. 12, is one of the most popular concerti grossi ever written. Bach's Brandenburg Concerto No. 5 in D major, BWV 1050, is another masterpiece of the genre. Vivaldi's Concerto Grosso in D minor, Op. 3, No. 11, is a virtuosic work that showcases the talents of the soloists. Telemann's Concerto Grosso in G major, TWV 43:G1, is a lively and energetic work that is sure to get your toes tapping. These are just a few of the many concerti grossi that you will find in this volume. With its comprehensive collection of works by the world's greatest composers, Concerti Grossi: The Complete Compositions is the essential guide to this important genre of Baroque music. Whether you are a seasoned music lover or a newcomer to Baroque music, you will find something to enjoy in this volume. The concerti grossi in this collection are some of the most beautiful and exciting music ever written. They are sure to provide you with hours of listening pleasure. If you like this book, write a review!
A History of the Concerto
Author: Michael Thomas Roeder
language: en
Publisher: Hal Leonard Corporation
Release Date: 1994
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.