The Clash Of Civilizations And The Remaking Of World Order Simon Schuster
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An Analysis of Samuel P. Huntington's The Clash of Civilizations and the Remaking of World Order
The end of the Cold War, which occurred early in the 1990s, brought joy and freedom to millions. But it posed a difficult question to the world's governments and to the academics who studied them: how would world order be remade in an age no longer dominated by the competing ideologies of capitalism and communism? Samuel P. Huntington was one of the many political scientists who responded to this challenge by conceiving works that attempted to predict the ways in which conflict might play out in the 21st century, and in The Clash of Civilizations he suggested that a new kind of conflict, one centred on cultural identity, would become the new focus of international relations. Huntington's theories, greeted with scepticism when his book first appeared in the 1990s, acquired new resonance after 9/11. The Clash of Civilizations is now one of the most widely-set and read works of political theory in US universities; Huntington's theories have also had a measurable impact on American policy. In large part, this is a product of his problem-solving skills. Clash is a monument to its author's ability to generate and evaluate alternative possibilities and to make sound decisions between them. Huntington's view, that international politics after the Cold War would be neither peaceful, nor liberal, nor cooperative, ran counter to the predictions of almost all of his peers, yet his position – the product of an unusual ability to redefine an issue so as to see it in new ways – has been largely vindicated by events ever since.
Who are We?
In his new book, the author of THE CLASH OF CIVILIZATIONS turns his attention from international cultural divides to the cultural rifts in America. The patriotic response to the events of September 11 only highlighted the loss of American identity at home, says Huntington, and already patriotic fervour has begun to subside. The United States was founded by British settlers who brought with them a distinct culture including the English language, Protestant values, individualism, religious commitment and respect for law. Waves of immigrants later came to America, but they gradually accepted these values and assimilated into the Anglo-Protestant culture. More recently, however, national identity has been eroded by the problems of assimilating massive numbers of primarily Hispanic immigrants; bilingualism, multiculturalism, the devaluation of citizenship and the 'denationalisation' of American elites. To counterpoint this, Huntington draws attention to the beginnings of a revival of American identity in a post-September 11 world where countries face unprecedented challenges to national security. WHO ARE WE? is an important work of political, historical and cultural inquiry that, like Huntington's previous book, is certain to spark a lively debate.
Dead Lagoon
'A rollicking good tale.' INDEPENDENT 'A first-rate mystery.' WASHINGTON POST AN AURELIO ZEN MYSTERY Aurelio Zen returns to his native Venice in an unofficial capacity, to investigate the disappearance of an American millionaire. But he is quickly reminded that, amid the hazy light and shifting waters of the lagoon, nothing is what it seems. As he is drawn deeper into the ambiguous mysteries surrounding the discovery of a skeletal corpse, he is also forced to confront a series of disturbing revelations about his own life. 'Absolutely brilliant . . . made me want to go back to travel in Italy again.' 5* reader review 'I loved this book . . . a good storyline, and enough twists to keep me guessing.' 5* reader review 'Perfect entertainment.' 5* reader review 'My personal favourite in a great series.' 5* reader review PRAISE FOR MICHAEL DIBDIN AND THE INSPECTOR ZEN SERIES: 'He wrote with real fire.' IAN RANKIN 'A maestro of crime writing.' SUNDAY TIMES 'One of the genre's finest stylists . . . And Zen himself is a masterly creation: he is anti-heroic and pragmatic but obstinate, cunning and positively burdened with integrity.' GUARDIAN 'Dibdin tells a rollicking good tale that you want both to read fast, because of its gripping storyline, and to linger over, to savour the evocative descriptions of place and mood.' INDEPENDENT 'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR 'Dibdin has a gift for shocking the unshockable reader.' Ruth Rendell 'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVER 'I love the way these books capture the atmosphere and contradictions of Italy.' 5* reader review 'Aurelio Zen novels are a great treat.' 5* reader review 'There is no better writer than Dibdin. His books are a joy to read.' 5* reader review 'Love these books . . . I am sure you will get hooked too!' 5* reader review