The City And The City Tv


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Sex and the City and Us


Sex and the City and Us

Author: Jennifer Keishin Armstrong

language: en

Publisher: Simon & Schuster

Release Date: 2019-05-07


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The bestselling author of Seinfeldia offers a fascinating retrospective of the iconic and award-winning television series, Sex and the City, in a “bubbly, yet fierce cultural dissection of the groundbreaking show” (Chicago Tribune). This is the story of how a columnist, two gay men, and a writers’ room full of women used their own poignant, hilarious, and humiliating stories to launch a cultural phenomenon. They endured shock, slut-shaming, and a slew of nasty reviews on their way to eventual—if still often begrudging—respect. The show wasn’t perfect, but it revolutionized television for women. When Candace Bushnell began writing for the New York Observer, she didn’t think anyone beyond the Upper East Side would care about her adventures among the Hamptons-hopping media elite. But her struggles with singlehood struck a chord. Beverly Hills, 90210 creator Darren Star brought her vision to an even wider audience when he adapted the column for HBO. Carrie, Miranda, Charlotte, and Samantha launched a barrage of trends, forever branded the actresses that took on the roles, redefined women’s relationship to sex and elevated the perception of singlehood. Featuring exclusive new interviews with the cast and writers, including star Sarah Jessica Parker, creator Darren Star, executive producer Michael Patrick King, and author Candace Bushnell, “Jennifer Keishin Armstrong brings readers inside the writers’ room and into the scribes’ lives…The writing is fizzy and funny, but she still manages an in-depth look at a show that’s been analyzed for decades, giving readers a retrospective as enjoyable as a $20 pink cocktail” (The Washington Post). Sex and the City and Us is both a critical and nostalgic behind-the-scenes look at a television series that changed the way women see themselves.

The City in Central Europe


The City in Central Europe

Author: Malcolm Gee

language: en

Publisher: Routledge

Release Date: 2019-01-04


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First published in 1999, this volume explores how the cities of central Europe, among them Berlin, Budapest, Hamburg, Vienna and Prague, went through a period of phenomenal growth during the nineteenth and early twentieth centuries. Their rapid expansion and growing economic importance made citizens aware of the need to manage the fabric and culture of the urban environment, while burgeoning nationalism and the development of local and international tourism constructed cities as showcases for national and regional identity. Competing visions of how city and nation should represent themselves were advanced by different social groups, by commercial interests and by local and national political authorities. Among the developments examined in this collection of essays are the campaign for the architectural development of Hamburg; international modernism and notions of the garden city in Czechoslovakia; competition among German cities as art centres; the role of Wawel Hill in Kraków as a vehicle for Polish nationalism; tourism in Austria-Hungary; Jewish assimilation in Vienna; social control and cultural policy in Vienna; and the representation of Berlin on film. The volume is introduced by Malcolm Gee, Tim Kirk and Jill Steward who provide an historical overview which establishes a context for the exchange of ideas and competition between the cities of central Europe during this period.

What Television Remembers


What Television Remembers

Author: Jennifer Vanderburgh

language: en

Publisher: McGill-Queen's Press - MQUP

Release Date: 2023-10-15


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Television in Canada has been undervalued as a cultural form. Despite being publicly funded, Canadian television programs are also notoriously difficult to access once they go off the air, which has compounded the problem. In What Television Remembers Jennifer VanderBurgh intervenes in the story of the medium in Canada by exploring the long relationship between TV and the city of Toronto. From the first demonstration of television at the Canadian National Exhibition in 1939 and the mass viewing of Queen Elizabeth II’s coronation broadcast in 1953 to the late-century installation of TV screens in public spaces around the city, television has shaped Toronto’s collective imagination and affirmed viewers in their multiple identities as local residents, national citizens, and transnational consumers. In a close reading of Toronto-based CBC dramas from the 1960s to 2010, VanderBurgh explains how the city has functioned as a strategic location in CBC programming, reflecting dramatically changing ideas about Canadian identity, community, and citizenship. At a time when many are suggesting that the era of television is over, What Television Remembers sounds the alarm that we are in danger of forgetting TV in Canada without appreciating the complexities of its contributions and legacy.