The Circle Is Broken Song
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Blood Origins
The Balance is in danger and Aiya, Keeper of the Webs, creates Her predator. Aurek, the first vampire is missing, and Rain is sent to find him. But there are those who fight the Balance and conspire against her. Rain must use all of the resources at her disposal, and the help of both vampire and her own kind, to discover Aureks whereabouts before its too late. Come to a world where the Balance has been disrupted, and killers are brought forth to even the scales. Search for the one who started it all, and discover the truth and betrayal of Earths first vampire. Enter a story of power and subterfuge, where myths come to life, nothing is what is seems, and love is the only thing that lasts forever.
They Kicked Her to the Curb, But She Didn't Fall Off
Author: Shannon Grace Kelly
language: en
Publisher: Xlibris Corporation
Release Date: 2010-02
"God places the heaviest burden on those who can carry its weight." This fictional memoir reveals Shannon's struggle with childhood poverty, family tragedy, and ultimately, God's role in helping her overcome these. Her journey reminds us that in our darkest moments, we should never give up because God has a plan for all of us. Filled with moments of joy and despair, sadness and hope, this memoir will inspire you to live each moment to its fullest and to be grateful for what has been given to you. For those who have undergone similar trials, know that you are not alone. Shannon's journey speaks for all of us. No matter your fears or suffering, all can be overcome if you keep the message of the scripture in your heart.
Trouble Songs
Poet, critic, and hybrid-genre artist Johnson tracks the use of trouble in word, concept, and practice in this debut of brief, elliptical, lyric essays. He moves through a wide swath of 20th- and 21st-century music, always alert to a sense of melancholy shared among songwriters, their songs, and their listeners in the ever-growing web of popular music. "When we say 'trouble,' we refer to the history of trouble whether or not we have it in mind. When we sing trouble, we sing (with) history," Johnson writes. "A Trouble Song is a complaint, a grievance, an aside, a come-on, a confession, an admission, a resignation, a plea. It's an invitation-to sorrow." The effect of all this trouble is dizzying. Highly annotated-often to personal, humorous, and hidden effects-the book weaves among genres, chronologies, and various forms of trouble to ask "Where are we in song? Who are we in song?" Johnson suggests that an answer lies somewhere in the locus of singer, song, and listener-the "essential relations in the Trouble Song." Detouring into philosophy, cultural theory, and verse, Johnson works multilaterally to explore what trouble in popular music does to connect listeners, embolden them, and open a space from which trouble can be addressed across time.