The Cambridge Illustrated History Of Prehistoric Art
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The Cambridge Illustrated History of Prehistoric Art
Beautifully illustrated in color with many rare and unique photographs, prints, and drawings, "The Cambridge Illustrated History of Prehistoric Art" presents the first balanced and truly worldwide survey of prehistoric art. A fascinating study of an often neglected area, the book is a powerful combination of illustration and analysis. 164 color plates. Copyright © Libri GmbH. All rights reserved.
The Cambridge Illustrated History of China
Author: Patricia Buckley Ebrey
language: en
Publisher: Cambridge University Press
Release Date: 1999-05-13
In an extraordinary feat of synthesis, Patricia Buckley Ebrey, a leading scholar of China, gives an engaging, full, gloriously illustrated account of over 8000 years of Chinese civilization - from prehistoric times through the rise of Confucianism, Buddhism and the imperial dynasties to the modern communist state. In addition, she explores the different factors and forces, ideas and inventions, events and leaders that have shaped the remarkable Chinese civilization we know today; including the technological advances, the population explosion, and the turmoil of the Cultural Revolution. Everything appears, from the influence of leading Chinese historians, poets, novelists and dramatists to the impact of key philosophical and religious ideas, art forms, family patterns, and the Mongul, Manchu and Western intrusions.
Prehistoric Rock Art
Author: Paul G. Bahn (archaeologist)
language: en
Publisher: Cambridge University Press
Release Date: 2010-06-21
Prehistoric rock art is the markings - paintings, engravings, or pecked images - left on rocks or cave walls by ancient peoples. In this book, Paul G. Bahn provides a richly illustrated overview of prehistoric rock art and cave art from around the world. Summarizing the recent advances in our understanding of this extraordinary visual record, he discusses new discoveries, new approaches to recording and interpretation, and current problems in conservation. Bahn focuses in particular on current issues in the interpretation of rock art, notably the "shamanic" interpretation that has been influential in recent years and that he refutes. This book is based on the Rhind Lectures that the author delivered for the Society of Antiquaries of Scotland in 2006.