The Boyle Papers
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The Boyle Papers
Robert Boyle (1627-91) was the most influential British scientist of the late seventeenth century. His huge archive, which has been at the Royal Society since 1769, has only recently been explored, leading to a new understanding of many aspects of Boyle's thought. This volume brings together the essential materials for understanding the Boyle Papers. It includes a revised version of Michael Hunter's fundamental study of the archive, first published in 1992, which elucidates its history and the way in which handwriting evidence can be used to identify chronological strata within it, thus making it possible to trace the development of Boyle's ideas. Other chapters deal with such components of the Papers as Boyle's 'workdiaries' and his projected Paralipomena; another uses material from the archive to illuminate the making of a key work by Boyle, his Free Inquiry into the Vulgarly Receiv'd Notion of Nature; while another illustrates that, large as the archive is, it is only a part of what existed in Boyle's lifetime. Parts of the content have been published before, but they are here presented in revised and fully indexed form. Lastly, the volume includes a completely revised version of the catalogue of the Boyle Papers, Letters and ancillary manuscripts originally published in 1992, updating it by tabulating the extensive use of the archive made in recent years in connection with the publication of the definitive editions of Boyle's Works and Correspondence (1999-2001). In all, the volume will be indispensable to anyone with a serious interest in Boyle.
John Birchensha: Writings on Music
John Birchensha (c.1605-?1681) is chiefly remembered for the impression that his theories about music made on the mathematicians, natural philosophers and virtuosi of the Royal Society in the 1660s and 1670s, and for inventing a system that he claimed would enable even those without practical experience of music to learn to compose in a short time by means of 'a few easy, certain, and perfect Rules'-his most famous composition pupil being Samuel Pepys in 1662. His great aim was to publish a treatise on music in its philosophical, mathematical and practical aspects (which would have included a definitive summary of his rules of composition), entitled Syntagma music Subscriptions for this book were invited in 1672-3, and it was due to be published by March 1675; but it never appeared, and no final manuscript of it survives. Consequently knowledge about his work has hitherto remained extremely sketchy. Recent research, however, has brought to light a number of manuscripts which allow us at last to form a more complete view of Birchensha's ideas. Almost none of this material has been previously published. The new items include an autograph treatise of c.1664 ('A Compendious Discourse of the Principles of the Practicall & Mathematicall Partes of Musick') which Birchensha presented to the natural philosopher Robert Boyle, and which covers concisely much of the ground that he intended to cover in Syntagma music a detailed synopsis for Syntagma music hich he prepared for a meeting of the Royal Society in February 1676; and an autograph notebook (now in Brussels) containing his six rules of composition with music examples, presumably written for a pupil. Bringing all this material together in a single volume will allow scholars to see how Birchensha's rules and theories developed over a period of fifteen years, and to gain at least a flavour of the lost Syntagma music
Robert Boyle, 1627-91
A re-evaluation of Boyle in the light of new evidence of his tortured religious life and his difficult relations with his contemporaries.