The Book Of Vanci


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The Cilappatikāram


The Cilappatikāram

Author: Iḷaṅkōvaṭikaḷ

language: en

Publisher: Penguin Books India

Release Date: 2004


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Men And Women Of Maturai Of The Four Temples! I Curse This City. Its King Erred In Killing The Man I Loved One Of The World'S Masterpieces, The Cilappatikaram (5Th Century Ce) By Ilanko Atikal Is India'S Finest Epic In A Language Other Than Sanskrit. It Spells Out In Unforgettable Verse The Problems That Humanity Has Been Wrestling With For A Long Time: Love, War, Evil, Fate And Death. The Tale Of An Anklet Is The Love Story Of Kovalan And Kannaki. Originating In Tamil Mythology, The Compelling Tale Of Kannaki Her Love, Her Feats And Triumphs, And Her Ultimate Transformation To Goddess Follows The Conventions Of Tamil Poetry And Is Told In Three Phases: The Erotic, The Heroic And The Mythic. This Epic Ranks With The Ramayana And The Mahabharata As One Of The Great Classics Of Indian Literature And Is Presented For The First Time In A Landmark English Verse Translation By The Eminent Poet R. Parthasarathy, Making It Accessible To A Wider Audience. Winner Of The 1995 Sahitya Akademi Prize For Translation (English), The 1994 Pen/ Book-Of-The-Month Club Translation Citation Of The Pen American Centre, And The 1996 Association For Asian Studies A.K. Ramanujan Book Prize For Translation.

Shilappadikaram


Shilappadikaram

Author: Iḷaṅkōvaṭikaḷ

language: en

Publisher: New Directions Publishing

Release Date: 1965


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The primary epic of Tamil literature.

The Silence That Speaks


The Silence That Speaks

Author: Haris Qadeer

language: en

Publisher: Oxford University Press

Release Date: 2020-12-31


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This ground-breaking anthology brings together 38 short stories culled fromover a century of writing by Muslim women from colonial and postcolonialIndia. Selected from different Indian languages, it includes fascinating storiesby celebrated and emerging authors. It also excavates stories from early women'sjournals such as Tehzeeb-e-Niswan, Saogat, and Indian Ladies' Magazine.Written in different styles, modes, and forms, the stories deconstruct culturalessentialism often involved in imagining Muslim womanhood and reflect uponthe diversity of imagined and lived experiences. They challenge sundry labels,explore intersections of identities, debunk several myths, and demonstrate howthe authors navigate the world of voices and silences. Ranging from imaginarygeographies to topographies of Muslim ghettos, most of these powerful storiesnarrate the spaces that Muslim women inhabit, and delineatetheir courage,desires, freedom, struggle, and myriad subjectivities.