The Book Of Laughter And Forgetting Review

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The Book of Laughter and Forgetting

'A masterpiece' (Salman Rushdie) by the author of modern classic The Unbearable Lightness of Being. 'It took the temperature of the age as no other book did. It was the great novel of the end of European Communism: a novel of ideas and eroticism, the surreal and the naturalistic.' Howard Jacobson 'One is torn between profound pleasure in the novel's execution and wonder at the pain that inspired it.' Ian McEwan One freezing day in 1948, Klement Gottwald addresses Prague, wearing his comrade Clementis' fur cap - and Communist Czechoslovakia is born. But after being hanged for treason, Clementis is airbrushed out of propaganda photographs. All that remains is a bare wall, and his cap. So begins an unforgettable voyage through seven narratives, interspersed with luminous meditations on politics, philosophy, music and history. A dissident seeks his first lover - now a Party loyalist - to persuade her to return his romantic letters. A married couple manages their ménage-à-trois as Mother moves in. A clandestine horoscope writer is questioned. An émigré widow struggles to reconstruct memories of her late husband, before finding herself on an island of children. A butcher's wife embarks on an affair with a poetic student. And one man prepares to cross the border . . . What readers are saying: 'Kundera embrace politics, sex, philosophy and history, with a seen-it-all cynicism that nevertheless manages to be fascinating and even uplifting ... It was addictive and fun, sexy and cool, easy to read, and made me feel brighter, switched on, and more alive.' 'You must read this novel. Can't tell you about it, you just have to do it yourself. Its bonkers-brilliant! Phantasmagoric originality like this comes very seldom in a reader's so-sweet life.' 'Kundera's unique writing style comes as a revelation ... This holds a special place in my reading history as the one book that I instantly began re-reading as soon as I finished it.' 'Absolutely enchanted me. It's such an unique novel. It speaks of so many things, from communism and regimes to love and art. For me personally, it is a perfect book.' 'I am not going to spoil the story here, but while the story is not supernatural in any way, it takes on a fantastical flavor, full of mysteries and strange emotions ... It is obvious that Kundera has thought a lot about life, about the meaning of life, and lets the reader in on his secrets.' 'Such a unique writer, Kundera! What a way he has to shine the brightest light on the deepest corners of human psyche.'
Slowness

A heady, existential tale of seduction and romance by the author of modern classic The Unbearable Lightness of Being. 'An artist, clearly one of the best to be found anywhere.' Salman Rushdie 'Kundera designs fictions of the highest order.' Ian McEwan 'Audacity, wit and sheer brilliance.' New York Times Book Review In a French château on a midsummer's night, two tales of seduction entwine, separated in time by over two hundred years, but united in their quest for sensual pleasure. Through their romantic endeavors, a contemporary holidaymaker and eighteenth-century chevalier illustrate our era's obsession with the vulgar demon of speed - and the phenomenon of the dancer. Oscillating between the sublime and ridiculous, the historic and the modern, Kundera's first novel written in French is an enchanting libertine fantasy, radiant with intelligence and wisdom.
The JOKE

All too often, this brilliant novel of thwarted love and revenge miscarried has been read for its political implications. Now, a quarter century after The Joke was first published and several years after the collapse of the Soviet-imposed Czechoslovak regime, it becomes easier to put such implications into perspective in favor of valuing the book (and all Kundera 's work) as what it truly is: great, stirring literature that sheds new light on the eternal themes of human existence. The present edition provides English-language readers an important further means toward revaluation of The Joke. For reasons he describes in his Author's Note, Milan Kundera devoted much time to creating (with the assistance of his American publisher-editor) a completely revised translation that reflects his original as closely as any translation possibly can: reflects it in its fidelity not only to the words and syntax but also to the characteristic dictions and tonalities of the novel's narrators. The result is nothing less than the restoration of a classic.