The Art Of Jean Hugo By Richard J Wattenmaker May 19 June 27 1973

The Art of Jean Hugo. [By] Richard J. Wattenmaker. May 19-June 27, 1973

Nineteenth- and Twentieth-century Paintings

Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.

A Victor Hugo Encyclopedia

Though he wrote more than a century ago, French author Victor Hugo (1802-1885) continues to capture the imagination of contemporary readers both in France and around the world. In the United States, he is best remembered as the author of the novel Les Mis^D'erables (1862), which has been adapted for the stage, and of Notre-Dame-de-Paris (1831), more commonly known to Americans as The Hunchback of Notre Dame. But Hugo was also a poet and dramatist, a great religious and social thinker, and one of the most important shapers of French Romanticism. As a poet, he created new verse forms, explored historical and mythological themes, and criticized social issues of his time. Through his drama, he united prose and poetry and examined the politics of England and Spain. In all of his works, he discussed such theological and social issues as the problem of evil, the nature of war and peace, and the problems of capital punishment. The volume begins with a short biography that places Hugo within the context of 19th-century France. The biography tells of his early years during which he began to form his religious and political views, his maturation as a writer and thinker during the 1830s, and his political exile, during which he wrote some of his finest poetry. The alphabetically arranged entries that follow discuss his works, characters, themes, and ideas, as well as historical persons and places that figured prominently in his life and writings. Many of the entries cite sources of additional information, and the volume closes with a selected, general bibliography.