The Apocalypse Of Abraham In Its Ancient And Medieval Contexts
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The Apocalypse of Abraham in Its Ancient and Medieval Contexts
The Apocalypse of Abraham is a pseudepigraphal work that narrates Abraham’s rejection of idol worship and his subsequent ascent to heaven, where he is shown eschatological secrets through angelic mediation. This fascinating text was only preserved in Old Church Slavonic and must be studied as both a medieval Christian and an ancient Jewish text. This monograph addresses the following questions: -Why were medieval Slavs translating and reading Jewish pseudepigrapha? -How much, if at all, did they emend or edit the Apocalypse of Abraham? -When in antiquity was it most likely written? -What were its ancient Jewish social and theological contexts?
Israel’s Lord
Author: David E. Wilhite
language: en
Publisher: Rowman & Littlefield
Release Date: 2024-07-15
Israel’s Lord: YHWH as “Two Powers” in Second Temple Literature addresses the nature of Jewish monotheism in Second Temple literature, advancing an argument that much of the literature reflects the existence of two powers in heaven that are both rightly understood as YHWH. To this end, Wilhite and Winn review various figures such God’s Word, God’s Wisdom, the Angel of the Lord, the Son of Man, and others that bear features closely associate with the God of Israel. Using criteria related to these features they argue that most, though not all, of these figures are rightly identified as the figure who appeared in Israel’s scriptures and was called YHWH. Such a “two powers” paradigm is relevant for understanding early Christian commitments regarding Jesus. The debate about Jesus’ divinity depends in large part on what options were available for the earliest Christians when considering his titles and status. The authors contend that with such a “two powers” paradigm available to the earliest Christians, it should inform any reading of New Testament texts and their varying depictions of Jesus as “Lord.”
Abraham Among Golems
In this insightful book, Andrei A. Orlov examines the symbolism of the "image of God" found in early Jewish pseudepigraphical accounts, paying special attention to the cultic traditions in the Apocalypse of Abraham . The study demonstrates that the Jewish pseudepigrapha transform various biblical characters - including Enoch, Abraham, Jacob, Moses, and Aseneth - into eschatological embodiments of the imago Dei . The book argues that these cultic metamorphoses preserve memories of ancient Near Eastern and Egyptian rituals involving the vivification of cultic statues. The Apocalypse of Abraham and other early Jewish pseudepigraphical accounts attempt to polemically refashion the concept of cultic statues by envisioning their protagonists as divine representations in the form of the eschatological image of God.