The Annotated Waste Land With T S Eliot S Contemporary Prose


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The Annotated Waste Land with Eliot's Contemporary Prose


The Annotated Waste Land with Eliot's Contemporary Prose

Author: T. S. Eliot

language: en

Publisher: Yale University Press

Release Date: 2006-01-01


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Newly revised and in paperback for the first time, this definitive, annotated edition of T. S. Eliot's "The Waste Land "includes as a bonus""all the essays Eliot wrote as he was composing his masterpiece. Enriched with period photographs, a London map of cited locations, groundbreaking information on the origins of the work, and full annotations, the volume is itself a landmark in literary history. "More than any previous editor, Rainey provides the reader with every resource that might help explain the genesis and significance of the poem. . . . The most imaginative and useful edition of "The Waste Land" ever published."--Adam Kirsch, "New Criterion ""For the student or for anyone who wants to get the maximum amount of information out of a foundational modernist work, this is the best available edition."--"Publishers Weekly"

The Annotated Waste Land, with T.S. Eliot's Contemporary Prose


The Annotated Waste Land, with T.S. Eliot's Contemporary Prose

Author: Thomas Stearns Eliot

language: en

Publisher:

Release Date: 2005


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Revisiting "The Waste Land"


Revisiting

Author: Lawrence Rainey

language: en

Publisher: Yale University Press

Release Date: 2008-10-01


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divThis groundbreaking book of literary detective work alters our understanding of T. S. Eliot’s poetic masterpiece, The Waste Land. Lawrence Rainey not only resolves longstanding mysteries surrounding the composition of the poem but also overturns traditional interpretations of the poem that have prevailed for more than eighty years. He shines new light on Eliot’s greatest achievement and on the poem’s place in the modern canon. Far from the austere and sober monument to neoclassicism that admirers have praised, The Waste Land turns out to be something quite different: something grim and wild, unruly and intractable, violent and shocking and radically indeterminate, yet also deeply compassionate. Rainey looks at how Eliot went about writing the poem and at the sequence in which he composed the parts. Arriving at new insights into the poet’s intentions, Rainey unsettles tradition-bound views of the poem and shows us that The Waste Land is even stranger and more startling than we knew./DIV