The A To Z Of Music Theory Fundamentals

The A to Z of Music Theory Fundamentals

As the title implies, this versatile workbook covers every possible topic for a one-semester introductory theory course. The greatest value, however, is its efficient, effective approach. By using a simplified process, technically challenging topics such as scales, intervals, and chords are more quickly learned through pattern recognition rather than a reliance on procedure. Topics are presented using this concise, no-nonsense approach. Newly learned musical techniques become quickly ingrained and are continually linked to musical expression. The book is accessible for the novice and engaging for the musically experienced. Unlike other texts, it provides an approachable methodology that gradually advances readers toward a working knowledge of harmony. The book is distinguished in how both melody and harmony are explored in view of particular musical effects. Zolper’s approach offers students an exciting guide to streamlined mastery of basic theory while bringing to light a wealth of musical discoveries. The A to Z website presents sound clips of musical examples and featured compositions in addition to supplemental activities for additional practice.

Basic Music Theory

Fundamentals of Music Processing

This textbook provides both profound technological knowledge and a comprehensive treatment of essential topics in music processing and music information retrieval. Including numerous examples, figures, and exercises, this book is suited for students, lecturers, and researchers working in audio engineering, computer science, multimedia, and musicology. The book consists of eight chapters. The first two cover foundations of music representations and the Fourier transform—concepts that are then used throughout the book. In the subsequent chapters, concrete music processing tasks serve as a starting point. Each of these chapters is organized in a similar fashion and starts with a general description of the music processing scenario at hand before integrating it into a wider context. It then discusses—in a mathematically rigorous way—important techniques and algorithms that are generally applicable to a wide range of analysis, classification, and retrieval problems. At the same time, the techniques are directly applied to a specific music processing task. By mixing theory and practice, the book’s goal is to offer detailed technological insights as well as a deep understanding of music processing applications. Each chapter ends with a section that includes links to the research literature, suggestions for further reading, a list of references, and exercises. The chapters are organized in a modular fashion, thus offering lecturers and readers many ways to choose, rearrange or supplement the material. Accordingly, selected chapters or individual sections can easily be integrated into courses on general multimedia, information science, signal processing, music informatics, or the digital humanities.