The 60s The Story Of A Decade
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The 60s: The Story of a Decade
Author: The New Yorker Magazine
language: en
Publisher: Random House
Release Date: 2016-10-25
This fascinating anthology collects notable New Yorker pieces from the most tumultuous years of the twentieth century—including work by James Baldwin, Pauline Kael, Sylvia Plath, Roger Angell, and Muriel Spark—alongside new assessments of the 1960s by some of today’s finest writers. Here are real-time accounts of these years, brought to immediate and profound life: Calvin Trillin reports on the integration of Southern universities, E. B. White and John Updike wrestle with the enormity of the Kennedy assassination, and Jonathan Schell travels with American troops into the jungles of Vietnam. Some of the truly timeless works of American journalism came out of The New Yorker that decade, including Truman Capote’s In Cold Blood, Rachel Carson’s Silent Spring, and James Baldwin’s The Fire Next Time, all excerpted here. The arts, too, underwent an extraordinary transformation, with the magazine publishing such indelible short story masterpieces as John Cheever’s “The Swimmer” and John Updike’s “A & P”; iconic poems by Sylvia Plath and Anne Sexton; and in-depth profiles of crucial cultural figures like Bob Dylan, Allen Ginsberg, Mike Nichols and Elaine May, and Muhammad Ali (when he was still Cassius Clay). This collection of groundbreaking pieces is also given contemporary context by current New Yorker writers, resulting in an incomparable portrait of a truly galvanizing era. Including contributions by Renata Adler • Roger Angell • Hannah Arendt • James Baldwin • Truman Capote • Rachel Carson • John Cheever • Mavis Gallant • Pauline Kaell • Jane Kramer • John McPhee • Sylvia Plath • Muriel Spark • Calvin Trillin • John Updike • E. B. White And featuring new perspectives by Jennifer Egan • Malcolm Gladwell • Dana Goodyear • Adam Gopnik • Jill Lepore • Larissa MacFarquhar • Evan Osnos • George Packer • Kelefa Sanneh Praise for The 60s: The Story of a Decade “The third installment in the esteemed magazine’s superb decades series . . . The contributor list is an embarrassment of riches. . . . The hits continue. Bring on the '70s.”—Kirkus Reviews (starred review) “[The 60s] deserves a lasting place on one’s shelves. Like its predecessors in the series, this collection is a time capsule and a keeper.”—Booklist
The New Yorker Book of the 60s
The next instalment in the acclaimed New Yorker 'decades' series featuring an all-star line-up of historical pieces from the 1960s alongside new pieces by current New Yorker staffers. The 1960s, the most tumultuous decade of the twentieth century, were a time of tectonic shifts in all aspects of society – from the March on Washington and the Second Vatican Council to the Summer of Love and Woodstock. No magazine chronicled the immense changes of the period better than The New Yorker. This capacious volume includes historic pieces from the magazine’s pages that brilliantly capture the sixties, set alongside new assessments by some of today’s finest writers. Here are real-time accounts of these years of turmoil: Calvin Trillin reports on the integration of Southern universities, E. B. White and John Updike wrestle with the enormity of the Kennedy assassination and Jonathan Schell travels with American troops into the jungles of Vietnam. The murder of Martin Luther King, Jr., the fallout of the 1968 Democratic Convention, the Soviet invasion of Czechoslovakia, the Six-Day War: all are brought to immediate and profound life in these pages. The New Yorker of the 1960s was also the wellspring of some of the truly timeless works of American journalism. Truman Capote’s In Cold Blood, Rachel Carson’s Silent Spring, Hannah Arendt’s Eichmann in Jerusalem and James Baldwin’s The Fire Next Time all first appeared in The New Yorker and are featured here. The magazine also published such indelible short story masterpieces as John Cheever’s ‘The Swimmer’ and John Updike’s ‘A & P’, alongside poems by Sylvia Plath and Anne Sexton. The arts underwent an extraordinary transformation during the decade, one mirrored by the emergence in The New Yorker of critical voices as arresting as Pauline Kael and Kenneth Tynan. Among the crucial cultural figures profiled here are Simon & Garfunkel, Tom Stoppard, Bob Dylan, Allen Ginsberg, Cassius Clay (before he was Muhammad Ali), and Mike Nichols and Elaine May. The assembled pieces are given fascinating contemporary context by current New Yorker writers, including Jill Lepore, Malcolm Gladwell and David Remnick. The result is an incomparable collective portrait of a truly galvanising era. With contributions from: Truman Capote, John Updike, E.B. White, Rachel Carson, James Baldwin, Jonathan Schell, Dwight Macdonald, Renata Adler, Hannah Arendt, Pauline Kael, AJ Liebling, Nat Hentoff, Calvin Trillin, Xavuer Rynne, John McPhee, Anthony Hiss and more.
Someone Is Out to Get Us
From UFOs to Dr. Strangelove, LSD experiments to Richard Nixon, author Brian Brown investigates the paranoid, panicked history of the Cold War. In Someone Is Out to Get Us, Brian T. Brown explores the delusions, absurdities, and best-kept secrets of the Cold War, during which the United States fought an enemy of its own making for over forty years -- and nearly scared itself to death in the process. The nation chose to fear a chimera, a rotting communist empire that couldn't even feed itself, only for it to be revealed that what lay behind the Iron Curtain was only a sad Potemkin village. In fact, one of the greatest threats to our national security may have been our closest ally. The most effective spy cell the Soviets ever had was made up of aristocratic Englishmen schooled at Cambridge. Establishing a communist peril but lacking proof, J. Edgar Hoover became our Big Brother, and Joseph McCarthy went hunting for witches. Richard Nixon stepped into the spotlight as an opportunistic, ruthless Cold Warrior; his criminal cover-up during a dark presidency was exposed by a Deep Throat in a parking garage. Someone Is Out to Get Us is the true and complete account of a long-misunderstood period of history during which lies, conspiracies, and paranoia led Americans into a state of madness and misunderstanding, too distracted by fictions to realize that the real enemy was looking back at them in the mirror the whole time.