Terrorism And Temporality In The Works Of Thomas Pynchon And Don Delillo
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Terrorism and Temporality in the Works of Thomas Pynchon and Don DeLillo
Author: James Gourley
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2013-06-06
Terrorism and Temporality in the Works of Thomas Pynchon and Don DeLillo starts from a simple premise: that the events of the 11th of September 2001 must have had a major effect on two New York residents, and two of the seminal authors of American letters, Pynchon and DeLillo. By examining implicit and explicit allusion to these events in their work, it becomes apparent that both consider 9/11 a crucial event, and that it has profoundly impacted their work. From this important point, the volume focuses on the major change identifiable in both authors' work; a change in the perception, and conception, of time. This is not, however, a simple change after 2001. It allows, at the same time, a re-examination of both authors work, and the acknowledgment of time as a crucial concept to both authors throughout their careers. Engaging with several theories of time, and their reiteration and examination in both authors' work, this volume contributes both to the understanding of literary time, and to the work of Pynchon and DeLillo.
Terrorism and Temporality in the Works of Thomas Pynchon and Don DeLillo
Terrorism and Temporality in the Works of Thomas Pynchon and Don DeLillo starts from a simple premise: that the events of the 11th of September 2001 must have had a major effect on two New York residents, and two of the seminal authors of American letters, Pynchon and DeLillo. By examining implicit and explicit allusion to these events in their work, it becomes apparent that both consider 9/11 a crucial event, and that it has profoundly impacted their work. From this important point, the volume focuses on the major change identifiable in both authors' work; a change in the perception, and conception, of time. This is not, however, a simple change after 2001. It allows, at the same time, a re-examination of both authors work, and the acknowledgment of time as a crucial concept to both authors throughout their careers. Engaging with several theories of time, and their reiteration and examination in both authors' work, this volume contributes both to the understanding of literary time, and to the work of Pynchon and DeLillo.
Minimalism and Affect in American Literature, 1970-2020
Author: Oliver Haslam
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2024-09-05
Theorizes the development of a minimalist mode in American fiction since 1970, frequently seen to interrogate US postmodernity. Minimalism and Affect in American Literature, 1970-2020 responds to existing studies of literary minimalism by pursuing three original and interrelated objectives. It provides a more inclusive and precise definition of minimalism that enables further inquiry into the mode. It also exposes the presence of minimalism beyond critical demarcations that attempt to limit the aesthetic to a particular school, medium, movement, form or decade. Finally, it argues that writers of American literary minimalism are uniquely privileged in their ability to formalize precarity and threatening cultural currents into the fragile construct that is ordinary life. Building upon theories of affect and the everyday, Minimalism and Affect in American Literature, 1970-2020 analyses minimalist aesthetics within the works of canonical minimalists alongside writers more frequently associated with other movements. Through readings of Ernest Hemingway, Joan Didion, Raymond Carver, Paul Auster and Don DeLillo, among others, and cultural phenomena ranging from sedation to telephony, this book exposes the persistence and political importance of minimalism within American literature from the 20th century into the 21st.