Tenco Psicologia E Mistero Svelato
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Tenco. Psicologia e Mistero Svelato
Non una biografia, non un saggio investigativo destinato a scoprire trame oscure ma, più semplicemente, un tentativo di mettere insieme, in un modo più coerente possibile, i vari aspetti della personalità di Tenco attraverso quanto da lui scritto o dichiarato e tramite le testimonianze delle persone a lui più vicine. Sono analizzati i testi di alcune sue composizioni e messi in correlazione con situazioni di vita da lui vissute. Oltre a ciò, è formulata un’ipotesi con solide basi scientifiche relativa allo stato psicologico di Tenco nei giorni sanremesi con riferimento agli effetti complessi del farmaco da lui assunto prima della sua esibizione, tale da lasciare pochi dubbi sui motivi all’origine della sua tragica fine. Infine, è proposta una teoria psicobiologica unificante, che spiega in modo consequenziale l’origine degli aspetti caratteristici della sua personalità.
Begum Barve
In this unusual Marathi play the playwright weaves a complex narrative with just four characters Begum Barve, a small-time female impersonator who has spent his life playing bit roles in the professional Marathi theatre of the early twentieth century, his exploitative employer Shyamrao, and two clerks, Jawdekar and Bawdekar. Trapped between sensuous longings and the sordid reality of their humdrum existence, they seek redemption in make-believe. Layers of space and time interweave and overlap in this powerfully haunting play as dreams take shape only to turn into nightmares. Begum Barve in the original Marathi was directed by the playwright himself; it has also been performed in Hindi and Gujarati adaptations.This new edition supplements the text with a critical essay and a note on the songs by Urmila Bhirdikar, translator, critic, musicologist, vocalist and Reader, Department of English, Pune University; an interview with the playwright by Dr Shubhada Shelke, scholar and commentator on Marathi theatre, and a note by Amal Allana wo directed the play in Hindi. Satish Alekar is Professor and Head, Lalit Kala Kendra, Pune University, and Vice-Chairman, National School of Drama, Nw Delhi. Shanta Gokhale, the translator is also a critic, playwright and author of Playwright at the Centre: Marathi Drama from 1843 to the Present (Seagull Books, Calcutta, 2000).
Like a Fiery Elephant
In his heyday, during the 1960s and early 1970s, B. S. Johnson was one of the best-known young novelists in Britain. A passionate advocate for the avant-garde in both literature and film, he became famous -- not to say notorious -- both for his forthright views on the future of the novel and for his idiosyncratic ways of putting them into practice. But in November 1973 Johnson's lifelong depression got the better of him, and he was found dead at his north London home. He had taken his own life at the age of forty. Jonathan Coe's biography is based upon unique access to the vast collection of papers Johnson left behind after his death, and upon dozens of interviews with those who knew him best. As unconventional in form as one of its subject's own novels, it paints a remarkable picture -- sometimes hilarious, often overwhelmingly sad -- of a tortured personality; a man whose writing tragically failed to keep at bay the demons that pursued him.