Teenage Audiences And British Period Drama


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Teenage Audiences and British Period Drama


Teenage Audiences and British Period Drama

Author: Shelley Anne Galpin

language: en

Publisher: Springer Nature

Release Date: 2024-07-25


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This book provides an engaging insight into the responses of teenage audiences to British period drama, presenting original data collected from young people across England. Situated in relation to debates regarding the heritage film and young people’s consumption of the media, Teenage Audiences and British Period Drama challenges the often homogenous characterisation of teenagers by demonstrating the range of responses this genre inspires in young viewers. Arguing for the period drama’s underestimated relevance to younger audiences, the book details the varied ways that young people use film and television drama to make sense of the world and their place in it, and highlights the under-researched significance of collective viewing in influencing viewer response. Analysis demonstrates the key role that values play in influencing judgements amongst youth audiences, the importance of perceived historical accuracy and the potential for screen texts to inspire a deeper relationship with the past.

Style in British Television Drama


Style in British Television Drama

Author: L. Cooke

language: en

Publisher: Springer

Release Date: 2013-10-18


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This pioneering book provides detailed analysis of scenes from nine British television dramas produced between 1954 and 2001. Taking dinner table scenes as a recurring motif, the study analyses changes in televisual style with reference to production practices, technology, aesthetic preferences, and social and institutional change.

Understanding Audiences and the Film Industry


Understanding Audiences and the Film Industry

Author: Roy Stafford

language: en

Publisher: Bloomsbury Publishing

Release Date: 2019-07-25


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Brings together an introduction to academic study of audiences as 'readers' of films and an investigation into how the film industry perceives audiences as part of its industrial practices. The appraoch draws on ideas from film, media and cultural studies to present an insight to what makes the biggest box office films attractive to audiences.