Tarchetti Fosca
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The Formation of a National Audience in Italy, 1750–1890
Author: Gabriella Romani
language: en
Publisher: Bloomsbury Publishing PLC
Release Date: 2017-06-06
The late eighteenth and the nineteenth centuries witness significant advancement in the production and, crucially, the consumption of culture in Italy. During the long process towards and beyond Italy becoming a nation-state in 1861, new modes of writing and performing – the novel, the self-help manual, theatrical improvisation – develop in response to new practices and technologies of production and distribution. Key to the emergence of an inclusive national audience in Italy is, however, the audience itself. A wide and varied body of consumers of culture, animated by the notion of an Italian national cultural identity, create in this period an increasingly complex demand for different cultural products. This body is energized by the wider access to education and to the Italian language brought about by educational reforms, by growing urbanization, by enhanced social mobility, and by transcultural connections across European borders. This book investigates this process, analyzing the ways in which authors, composers, publishers, performers, journalists, and editors engage with the anxieties and aspirations of their diverse audiences. Fourteen essays by specialists in the field, exploring individual contexts and cases, demonstrate how interests related to gender, social class, cultural background and practices of reading and spectatorship, exert determining influence upon the production of culture in this period. They describe how women, men, and children from across the social and regional strata of the emerging nation contribute incrementally but actively to the idea and the growing reality of an Italian national cultural life. They show that from newspapers to salon performances, from letters to treatises in social science, from popular novels to literary criticism, from philosophical discussions to opera theaters, there is evidence in Italy in this period of unprecedented participation, crossing academic and popular cultures, in the formation of a national audience in Italy. This cultural transformation later produces the mass culture in Italy which underpins the major movements of the twentieth century and which undergoes new challenges and reformulations in the Italy we know today.
Rebellion, Death, and Aesthetics in Italy
Author: David Del Principe
language: en
Publisher: Fairleigh Dickinson Univ Press
Release Date: 1996
Although these artists are loosely grouped as a literary movement, the influence of Scapigliatura has been rightfully confirmed in Decadent fin de siecle literature and, arguably, in the twentieth-century historical avant-garde.
Nightmares in the Long Nineteenth Century
From Johann Heinrich Füssli’s 1781 oil painting The Nightmare, which was to become the iconic image of a newly emergent sensibility, to the first psychoanalytic studies culminating in “On the Nightmare” by Ernest Jones, first published in 1911, the long nineteenth century was characterised by a pervasive fascination with nightmares, both as frightening dreams and, in their personified form, evil spirits or monstrous creatures. This volume investigates the extensive and multifaceted presence of nightmares in the literature and culture of this period from a cross-disciplinary and cross-national perspective, shedding new light on the remarkably widespread nature of the nineteenth-century interest in nightmares as well as on common threads and features that inform and animate it. Its contributions by scholars from different fields reveal how nineteenth-century representations of nightmare, across and beyond Europe, explored fundamental questions about the limits of consciousness and reason, the complex interplay of body and mind, the elusive boundaries between self and other, and the dread of alterity, giving voice to deep-rooted fears and anxieties in a period when these notions were undergoing radical rethinking.