Taniec W Polskiej Tradycji

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The Jewish Inn in Polish Culture

Author: Halina Goldberg
language: en
Publisher: Indiana University Press
Release Date: 2025-06-03
The Jewish inn (żydowska karczma) was a central pillar of economic and social life in Polish lands before the Second World War. While its primary role was to provide hospitality, it also functioned as a multifaceted hub for business, leisure, and religious festivities, reflecting its vital role in the community. In The Jewish Inn: Between Practice and Phantasm, editors Halina Goldberg and Bożena Shallcross present 11 captivating articles that delve into the inn's significance as a symbolic incubator of Jewish cultural possibilities. The collection examines the inn's evolving artistic potential across different eras, genres, media, and analytical perspectives. From exploring the intricate connections between music, dance, and other arts within the inn's spatial arrangement to highlighting the increasing prominence of women in the inn's family dynamics, The Jewish Inn offers a comprehensive and transdisciplinary reevaluation of this crucial institution and stands as a significant and creative contribution to Polish-Jewish studies.
Dancing Across Borders

Author: Charlotte Svendler Nielsen
language: en
Publisher: Routledge
Release Date: 2019-12-06
Dancing Across Borders presents formal and non-formal settings of dance education where initiatives in different countries transcend borders: cultural and national borders, subject borders, professional borders and socio-economic borders. It includes chapters featuring different theoretical perspectives on dance and cultural diversity, alongside case narratives that show these perspectives in a specific cultural setting. In this way, each section charts the processes, change and transformation in the lives of young people through dance. Key themes include how student learning is enhanced by cultural diversity, experiential teaching and learning involving social, cross-cultural and personal dimensions. This conceptually aligns with the current UNESCO protocols that accent empathy, creativity, cooperation, collaboration alongside skills- and knowledge-based learning in an endeavour to create civic mindedness and a more harmonious world. This volume is an invaluable resource for teachers, policy makers, artists and scholars interested in pedagogy, choreography, community dance practice, social and cultural studies, aesthetics and interdisciplinary arts. By understanding the impact of these cross-border collaborative initiatives, readers can better understand, promote and create new ways of thinking and working in the field of dance education for the benefit of new generations.