T S Eliot Preludes
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An Interpretation of T.S. Eliot's "Preludes". A Vision of a Vision
Seminar paper from the year 2013 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Potsdam (Anglistik), course: Symbolism and Modernism in British Poetry, language: English, abstract: In my discussion of the poem, "Preludes" by T.S. Eliot, I will proceed in a more or less chronological order. The first stanza envisions a lonely street in the evening drawing a connection between writing and walking. The 2nd stanza shows probably the same street on a busy morning illustrating the restlessness of the city dwellers as well as their lack of self-determination. In the 3rd stanza the street scene is left altogether, instead a single woman is depicted lying in her bed. In a state of expanded awareness she gains a superior view on the world. In the last stanza I shall indicate how the blindness of everyday routine hinders the rest of the city dwellers from noticing this sort of spiritual revelation. The meta-poetic references in the end overtly unmask the speaker as being a poet, making plain that the poem is not to be taken as a means to communicate reality, but rather as the experience of a mental image.
T. S. Eliot
Author: Ronald Bush
language: en
Publisher: Cambridge University Press
Release Date: 1991-02-22
The centenary of Eliot's birth in 1988 has provided this occasion to review his life and work, and reassess him in the light of various critical developments in the new historicism, feminism, and reader-reception theory that have emerged since the "New Criticism".
An interpretation of T.S. Eliot’s “Preludes”. A vision of a vision
Seminar paper from the year 2013 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Potsdam (Anglistik), course: Symbolism and Modernism in British Poetry, language: English, abstract: In my discussion of the poem, "Preludes" by T.S. Eliot, I will proceed in a more or less chronological order. The first stanza envisions a lonely street in the evening drawing a connection between writing and walking. The 2nd stanza shows probably the same street on a busy morning illustrating the restlessness of the city dwellers as well as their lack of self-determination. In the 3rd stanza the street scene is left altogether, instead a single woman is depicted lying in her bed. In a state of expanded awareness she gains a superior view on the world. In the last stanza I shall indicate how the blindness of everyday routine hinders the rest of the city dwellers from noticing this sort of spiritual revelation. The meta-poetic references in the end overtly unmask the speaker as being a poet, making plain that the poem is not to be taken as a means to communicate reality, but rather as the experience of a mental image.