Symmetry Ornament And Modularity
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Symmetry, Ornament and Modularity
This book discusses the origins of ornamental art -- illustrated by the oldest examples, dating mostly from the paleolithic and neolithic ages, and considered from the theory-of-symmetry point of view. Because of its multidisciplinary nature, it will interest a wide range of readers: mathematicians, artists, art historians, architects, psychologists, and anthropologists. The book represents the complete analysis of plane symmetry structures, so it can be used by artists as a guide to the creation of new symmetry patterns. Some parts of the contents (such as Chapter 4, about conformal symmetry, and Chapter 6, about modularity in art) give the reader an opportunity to develop computer programs for producing images illustrating the corresponding symmetry forms.
LinKnot
LinKnot - Knot Theory by Computer provides a unique view of selected topics in knot theory suitable for students, research mathematicians, and readers with backgrounds in other exact sciences, including chemistry, molecular biology and physics. The book covers basic notions in knot theory, as well as new methods for handling open problems such as unknotting number, braid family representatives, invertibility, amphicheirality, undetectability, non-algebraic tangles, polyhedral links, and (2,2)-moves. Conjectures discussed in the book are explained at length. The beauty, universality and diversity of knot theory is illuminated through various non-standard applications: mirror curves, fullerens, self-referential systems, and KL automata.
Aesthetics of Interdisciplinarity: Art and Mathematics
This anthology fosters an interdisciplinary dialogue between the mathematical and artistic approaches in the field where mathematical and artistic thinking and practice merge. The articles included highlight the most significant current ideas and phenomena, providing a multifaceted and extensive snapshot of the field and indicating how interdisciplinary approaches are applied in the research of various cultural and artistic phenomena. The discussions are related, for example, to the fields of aesthetics, anthropology, art history, art theory, artistic practice, cultural studies, ethno-mathematics, geometry, mathematics, new physics, philosophy, physics, study of visual illusions, and symmetry studies. Further, the book introduces a new concept: the interdisciplinary aesthetics of mathematical art, which the editors use to explain the manifold nature of the aesthetic principles intertwined in these discussions.