Sword Different Types
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The Connoisseur's Book of Japanese Swords
Connoisseur's Book Japanese Swords is a Kodansha International publication.
The Perfect Sword
The story of the Bamburgh Sword – one of the finest swords ever forged. In 2000, archaeologist Paul Gething rediscovered a sword. An unprepossessing length of rusty metal, it had been left in a suitcase for thirty years. But Paul had a suspicion that the sword had more to tell than appeared, so he sent it for specialist tests. When the results came back, he realised that what he had in his possession was possibly the finest, and certainly the most complex, sword ever made, which had been forged in seventh-century Northumberland by an anonymous swordsmith. This is the story of the Bamburgh Sword – of how and why it was made, who made it and what it meant to the warriors and kings who wielded it over three centuries. It is also the remarkable story of the archaeologists and swordsmiths who found, studied and attempted to recreate the weapon using only the materials and technologies available to the original smith.
The Sword
A multidisciplinary overview of current research into the enduringly fascinating martial artefact which is the sword. The sword is the most iconic of all weapons. Throughout history, it has connected various, sometimes conflicting, dimensions of human culture: physical combat and representation of political power, definition of gender roles and refinement of body techniques, evolution of craftsmanship and mythological symbolism. The articles collected here explore these dimensions, from a variety of disciplines, among them archaeology, medieval history, museum conservation, and linguistics. They cover topics from the production and combat use of Bronze Age swords via medieval fencing culture to the employment of the sword in modern military. They question traditional sword typologies and wide-spread theories about sword making, discuss medieval sword terminology and the use of swords as royal insignia, and describe the scientific methods for approaching original finds. Arising from an international conference held at Deutsches Klingenmuseum Solingen (the German Blade Museum), the volume provides fresh insights into the forms the sword can take, and the thoughts it inspires. LISA DEUTSCHER and MIRJAM E. KAISER work in prehistoric archaeology, specialising in La Tène and Bronze Age swords, respectively. SIXT WETZLER is the deputy director of the German Blade Museum; his research focuses on the history of edged weapons, and their use. Contributors: Matthias Johannes Bauer, Holger Becker, Jan-Heinrich Bunnefeld, Rachel J. Crellin, Vincenzo D'Ercole, Andrea Dolfini, Raphael Hermann, Daniel Jaquet, Robert W. Jones, Ulrich Lehmann, Claus Lipka, Stefan Maeder, Michael Mattner, Florian Messner, Nicole Mölk, Ingo Petri, Stefan Roth, Fabrizio Savi, Ulrike Töchterle, Iason-Eleftherios Tzouriadis, Marion Uckelmann, Henry Yallop