Summary Of Julie Phillips S The Baby On The Fire Escape
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Summary of Julie Phillips's The Baby on the Fire Escape
Author: Everest Media,
language: en
Publisher: Everest Media LLC
Release Date: 2022-05-26T22:59:00Z
Please note: This is a companion version & not the original book. Sample Book Insights: #1 The maternal subject is a figure that disrupts or interrupts our notions of subjectivity. Motherhood is an undiscovered country in the literary sense, and we must venture into it lest our experience go unrecorded. #2 The division between mothering and creative work once seemed absolute. But in 1962, the careers of women with children were beginning to flourish. Mothers found ways to do their work, and were recognized for it. #3 The experience of being a mother is subjective, and it is difficult to explain or understand. It is everywhere in practice, but in theory, it seems nowhere. #4 The Freudian view of mothering is that it is the end of growth and achievement for a woman. The ideal situation is one in which the interests of mother and child are identical.
The Baby on the Fire Escape: Creativity, Motherhood, and the Mind-Baby Problem
Author: Julie Phillips
language: en
Publisher: W. W. Norton & Company
Release Date: 2022-04-26
An insightful, provocative, and witty exploration of the relationship between motherhood and art—for anyone who is a mother, wants to be, or has ever had one. What does a great artist who is also a mother look like? What does it mean to create, not in “a room of one’s own,” but in a domestic space? In The Baby on the Fire Escape, award-winning biographer Julie Phillips traverses the shifting terrain where motherhood and creativity converge. With fierce empathy, Phillips evokes the intimate and varied struggles of brilliant artists and writers of the twentieth century. Ursula K. Le Guin found productive stability in family life, and Audre Lorde’s queer, polyamorous union allowed her to raise children on her own terms. Susan Sontag became a mother at nineteen, Angela Carter at forty-three. These mothers had one child, or five, or seven. They worked in a studio, in the kitchen, in the car, on the bed, at a desk, with a baby carrier beside them. They faced judgement for pursuing their creative work—Doris Lessing was said to have abandoned her children, and Alice Neel’s in-laws falsely claimed that she once, to finish a painting, left her baby on the fire escape of her New York apartment. As she threads together vivid portraits of these pathbreaking women, Phillips argues that creative motherhood is a question of keeping the baby on that apocryphal fire escape: work and care held in a constantly renegotiated, provisional, productive tension. A meditation on maternal identity and artistic greatness, The Baby on the Fire Escape illuminates some of the most pressing conflicts in contemporary life.
Motherhood and Creativity in Contemporary Self-Life Writing
This book aims to study the representation of motherhood in self-life writing by English-speaking authors. It highlights the particular issues women writers are faced with when they try to combine their vocation as artists with their duties to their children. For those women who claim their right to be both mothers and writers, several cultural myths need to be taken down, chief among which is the representations that we have of what being an artist should be like, as well as the role a mother should have towards her children. This book looks at self-life writing by women from English-speaking countries to reveal the common themes and tropes which recur in texts written on the subject of motherhood, by looking at them from both a literary and a cultural perspective. It also aims to demonstrate that a new generation of women writers is taking up the subject and forging a new literary tradition.