Sufi Rituals And Practices

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Sufi Rituals and Practices

This book explores the institution of Sufism, the most dynamic face of Islam in the Indian subcontinent, as it sets out to study the mystical rituals and devotional practices that characterize Sufism's beliefs and traditions.
Sufi Ritual

This study reveals the world of Sufi ritual with particular reference to two major Sufi orders. It examines the ritual and practices of these orders and surveys their organisation and hierarchy, initiation ceremonies, and aspects of their liturgy such as dhikr (litany) and sama (mystical concert). Comparisons are made with the five pillars of Islam (arkan), and the Sufi rituals, together with the arkan, are examined from the perspective of theology, phenomenology, anthropology and semiotics. The work concludes with an examination of the Sufi in the context of alienation. This is a major work which highlights the importance of Sufi ritual and locates it within the broader domain of the Islamic world.
The Female Voice in Sufi Ritual

Author: Shemeem Burney Abbas
language: en
Publisher: University of Texas Press
Release Date: 2003-01-01
The female voice plays a more central role in Sufi ritual, especially in the singing of devotional poetry, than in almost any other area of Muslim culture. Female singers perform sufiana-kalam, or mystical poetry, at Sufi shrines and in concerts, folk festivals, and domestic life, while male singers assume the female voice when singing the myths of heroines in qawwali and sufiana-kalam. Yet, despite the centrality of the female voice in Sufi practice throughout South Asia and the Middle East, it has received little scholarly attention and is largely unknown in the West. This book presents the first in-depth study of the female voice in Sufi practice in the subcontinent of Pakistan and India. Shemeem Burney Abbas investigates the rituals at the Sufi shrines and looks at women's participation in them, as well as male performers' use of the female voice. The strengths of the book are her use of interviews with both prominent and grassroots female and male musicians and her transliteration of audio- and videotaped performances. Through them, she draws vital connections between oral culture and the written Sufi poetry that the musicians sing for their audiences. This research clarifies why the female voice is so important in Sufi practice and underscores the many contributions of women to Sufism and its rituals.