Such A Bad Influence Ending Explained
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From Page to Screen / Vom Buch zum Film
Author: Manuel Almagro-Jiménez
language: en
Publisher: Narr Francke Attempto Verlag
Release Date: 2020-10-05
For a long time now, women have struggled for the vindication of their rights and for their visibility. This struggle may seem a story of success, maybe not complete or equal for all women, but at least one which slowly but surely carries with it the promise of equality for all women. However, a closer look reveals that in various fields of culture the representation of women frequently undergoes a manipulation which makes the image of women lose the intention initially attempted. This is often the case with adaptations of literary texts to the screen, when the initial literary message is changed because of, for example, marketing demands or some ideological stance. Rarely do we find the opposite case where the indifferent or emasculated original female characters are turned into guardians and/or apologists of feminine power. The present volume focuses precisely on the way in which the image of women is modified in films and TV series, when compared with the original literary texts.
Political Censorship
Author: Robert Justin Goldstein
language: en
Publisher: Taylor & Francis
Release Date: 2001
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
The Demetrius Legend and Its Literary Treatment in the Age of the Baroque
Author: Ervin C. Brody
language: en
Publisher: Fairleigh Dickinson Univ Press
Release Date: 1972
Analyzes the use in two baroque dramas (El Gran Duque de Moscovia y Emperador Perseguido and The Loyal Subject) of the legend of Demetrius, Ivan the Terrible's son.