String Musical Instruments
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The Science of String Instruments
Author: Thomas D. Rossing
language: en
Publisher: Springer Science & Business Media
Release Date: 2010-12-15
Thomas D. Rossing String instruments are found in almost all musical cultures. Bowed string instruments form the backbone of symphony orchestras, and they are used widely as solo inst- ments and in chamber music as well. Guitars are used universally in pop music as well as in classical music. The piano is probably the most versatile of all musical inst- ments, used widely not only in ensemble with other musical instruments but also as a solo instrument and to accompany solo instruments and the human voice. In this book, various authors will discuss the science of plucked, bowed, and hammered string instruments as well as their electronic counterparts. We have tried to tell the fascinating story of scienti?c research with a minimum of mathematics to maximize the usefulness of the book to performers and instrument builders as well as to students and researchers in musical acoustics. Sometimes, however, it is dif?cult to “translate” ideas from the exact mathematical language of science into words alone, so we include some basic mathematical equations to express these ideas. It is impossible to discuss all families of string instruments. Some instruments have been researched much more than others. Hopefully, the discussions in this book will help to encourage further scienti?c research by both musicians and scientists alike. 1.1 A Brief History of the Science of String Instruments Quite a number of good histories of acoustics have been written (Lindsay 1966, 1973; Hunt 1992; Beyer 1999), and these histories include musical acoustics.
Ukulele From The Beginning: Pop Songs (The Blue Book)
The Ukulele From The Beginning: Pop Songs (Blue Book) is a great collection of 16 favourite pop songs, specially chosen and arranged for primary school-age and early secondary school-age children. The songs are simplified, and annotated with easy chord symbols, strumming and picking patterns. This is a truly accessible pop songbook, combing a great deal of contemporary repertoire with a selection of true pop classics. This book is a 'sister' publication to the Ukulele From The Beginning - Pop Songs (Red Book). Song List: - Bleeding Love [Leona Lewis] - Can You Feel The Love Tonight? [Elton John] - Fireflies [Owl City] - Isn't She Lovely? [Stevie Wonder] - Locked Out Of Heaven [Bruno Mars] - Love Story [Taylor Swift] - Mad World [Gary Jules] - One More Night [Maroon 5] - Price Tag [Jessie J] - Run [Snow Patrol] - The Sound Of Silence [Simon & Garfunkel] - Troublemaker [Olly Murs] - Video Games [Lana Del Rey] - Viva La Vida [Coldplay] - Call My Name [Cheryl] - Yesterday [The Beatles]
Handbook of Materials for String Musical Instruments
This book addresses core questions about the role of materials in general and of wood in particular in the construction of string instruments used in the modern symphony orchestra – violins, violas, cellos and basses. Further attention is given to materials for classical guitars, harps, harpsichords and pianos. While some of the approaches discussed are traditional, most of them depend upon new scientific approaches to the study of the structure of materials, such as for example wood cell structure, which is visible only using modern high resolution microscopic techniques. Many examples of modern and classical instruments are examined, together with the relevance of classical techniques for the treatment of wood. Composite materials, especially designed for soundboards could be a good substitute for some traditional wood species. The body and soundboard of the instrument are of major importance for their acoustical properties, but the study also examines traditional and new wood species used for items such as bows, the instrument neck, string pegs, etc. Wood species’ properties for musical instruments and growth origins of woods used by great makers such as Antonio Stradivari are examined and compared with more recently grown woods available to current makers. The role of varnish in the appearance and acoustics of the final instrument is also discussed, since it has often been proposed as a ‘secret ingredient’ used by great makers. Aspects related to strings are commented.As well as discussing these subjects, with many illustrations from classical and contemporary instruments, the book gives attention to conservation and restoration of old instruments and the physical results of these techniques. There is also discussion of the current value of old instruments both for modern performances and as works of art having great monetary value.The book will be of interest and value to researchers, advanced students, music historians, and contemporary string instrument makers. Musicians in general, particularly those playing string instruments, will also find its revelations fascinating. It will also attract the attention of those using wood for a variety of other purposes, for its use in musical instruments uncovers many of its fundamental features. Professor Neville H. FletcherAustralian National University, Canberra