String Crossing For The Cello Book One The Open String Book

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String Crossing for the Cello, Book One; the Open String Book

This book teaches string-crossing technique on the cello with open-string studies that allow the cellist to focus on the right hand. A number of the exercises use staccato bowing to encourage precisely-timed string crossing.
Open String Bow Workouts for Cello, Book One

Do you want to make better sound on the cello? With over 90 daily workouts that train your right hand in essential cello skills, this book gives you exercises to improve your bow control and tone. Useful for cellists of all ages and abilities, Open String Bow Workouts for the Cello is especially helpful for adult learners who have limited time to practice but want to sound the best they can. Since the entire book uses only open strings, note-reading isn't a distraction and you can focus on gaining control over your right hand and bow. Teachers can use Open String Bow Workouts for Cello to work on bow distribution, retaking bows, slurs, triplets, dotted rhythms, and more, with their students.These cello exercises could be studied along with scales and finger exercises to create a daily routine that truly helps move you forward; beautiful tone is now within your grasp!
The Cambridge Companion to the Cello

Author: Robin Stowell
language: en
Publisher: Cambridge University Press
Release Date: 1999-06-28
This is a compact, composite and authoritative survey of the history and development of the cello and its repertory since the origins of the instrument. The volume comprises thirteen essays, written by a team of nine distinguished scholars and performers, and is intended to develop the cello's historical perspective in breadth and from every relevant angle, offering as comprehensive a coverage as possible. It focuses in particular on four principal areas: the instrument's structure, development and fundamental acoustical principles; the careers of the most distinguished cellists since the baroque era; the cello repertory (including chapters devoted to the concerto, the sonata, other solo repertory, and ensemble music); and its technique, teaching methods and relevant aspects of historical and performance practice. It is the most comprehensive book ever to be published about the instrument and provides essential information for performers, students and teachers.