Strange Friends Meaning
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Rupert Brooke, Charles Sorley, Isaac Rosenberg, and Wilfred Owen
Author: Lorna Hardwick
language: en
Publisher: Oxford University Press
Release Date: 2024-05-07
Rupert Brooke, Wilfred Owen, Isaac Rosenberg, and Charles Sorley all died in the First Word War. They came from diverse social, educational, and cultural backgrounds, but for all of the writers, engagement with Greek and Roman antiquity was decisive in shaping their war poetry. The world views and cultural hinterlands of Brooke and Sorley were framed by the Greek and Latin texts they had studied at school, whereas for Owen, who struggled with Latin, classical texts were a part of his aspirational literary imagination. Rosenberg's education was limited but he encountered some Greek and Roman literature through translations, and through mediations in English literature. The various ways in which the poets engaged with classical literature are analysed in the commentaries, which are designed to be accessible to classicists and to users from other subject areas. The extensive range of connections made by the poets and by subsequent readers is explained in the Introduction to the volume. The commentaries illuminate relationships between the poems and attitudes to the war at the time, in the immediate post-war years, and subsequently. They also probe how individual poems reveal various facets of the poetry of unease, the poetry of survival, and the poetics of war and ecology. References to the accompanying online Oxford Classical Receptions Commentaries will enable readers to follow up their special interests. This volume differs from the shorter volume Greek and Roman Antiquity in First World War Poetry: Making Connections in that it covers the whole output of the four poets, and not just their war poems.
John Searle
Direct, combative and wide-ranging, John Searle's philosophy has made fundamental and lasting contributions to thinking in language, mind, knowledge, truth and the nature of social reality. His account of language based on speech-acts, that mind is intentional, and the Chinese Room Argument, are just some of his most famous contributions to philosophical thinking. In this - the first introduction to John Searle's philosophy - Nick Fotion provides clear and assured exposition of Searles' ideas, while also testing and exploring their implications. The book begins by examining Searle's work on the philosophy of language: his analysis of speech acts such as promising, his taxonomy of speech acts and the wider range of indirect speech acts and metaphorical uses of language. The book then moves on to cover the philosophy of mind and outlines Searle's ideas on international states. It introduces his notions of 'background' and 'network', his claims for the often unrecognized importance of consciousness, and examines his attacks on other philosophical accounts of mind, such as materialism, functionalism and strong AI. The final section examines Searle's later work on the construction of social reality and concludes with more general reflections on Searle's position vis-a-vis ontology, epistemology, scepticism and the doctrine of 'external realism'.
Semantics and Pragmatics of False Friends
This book approaches the topic of false friends from a theoretical perspective, arguing that false friends carry out a positive role as a cognitive device, mainly in literature and jokes, and suggesting some pragmatic strategies in order to restore the original sense of a text/utterance when a given translator (or a foreign speaker) falls victim to false friends. This theoretical account is successively verified by appealing to texts from the fields of literature, science, philosophy, journalism, and everyday speech.