Stop Me If You Ve Heard This One Novel
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Stop Me If You've Heard This One Before
If Albert Kim has learned one thing in his tragic adolescence, it's that God (probably a sadistic teenaged alien) does not want him to succeed at Bern High. By the end of sophomore year, Al is so tired of humiliation that he's chosen to just forget girls and high school society in general, and enjoy the Zen-like detachment that comes from being an intentional loser. Then he meets Mia Stone, and all the repressed hormones come flooding back. Mia, his co-worker at the Bern Inn, is adorable, popular, and most intimidatingly, the ex- long-term girlfriend of Ivy-bound, muscle-bound king of BHS and world class jerk, Ryan Stackhouse. But -- chalk it up to the magic of Al's inner beauty /DIV-- by the end of a summer vacuuming hotel rooms and goofing off together, he and Mia are officially “something.” Albert barely has time to ponder this miracle before the bomb drops: Ryan has been diagnosed with cancer, and he needs Mia's support, i.e. constant companionship. True, he's lost weight and he’s getting radiation, but that doesn’t make him any less of a jerk. And to Albert, it couldn't be more apparent that Ryan is using his cancer to steal Mia back. With the whole town rallying behind Ryan like he’s a fallen hero, and Mia emotionally confused and worried for Ryan, Al’s bid for love is not a popular campaign. In fact, it's exactly like driving the wrong way on a five-lane highway. DIV In this desperately funny novel, David Yoo tells an authentic story of first love, and therein captures the agony, the mania, the kicking and screaming that define teenage existence.
Stop Me If You've Heard This One
NAMED A MOST ANTICIPATED BOOK OF 2025 BY PEOPLE, VOGUE, THE WASHINGTON POST, THE MILLIONS, AND NBC TODAY From the New York Times bestselling author of Mostly Dead Things, a sparkling and funny new novel of entertainment, ambition, art, and love. "Sweet, sexy, sad, articulate, and funny." - Vogue "As much heart, humor, and gritty realness as can fit between two covers." - People Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between her clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers. Things start looking up when Cherry meets Margot the Magnificent—a much older lesbian magician—who seems to have worked out the lines between art, business, and life, and has a slick, successful career to prove it. With Margot’s mentorship and industry connections, Cherry is sure to take her art to the next level. Plus, Margot is sexy as hell. It’s not long before Cherry must decide how much she’s willing to risk for Margot and for her own explosive new act—and what kind of clown she wants to be under her suit. Equal parts bravado, tenderness, and humor, and bursting with misfits, magicians, musicians, and mimes, Stop Me If You've Heard This One is a masterpiece of comedic fiction that asks big questions about art and performance, friendship and community, and the importance of timing in jokes and in life.
Stop Me If You've Heard This: A History and Philosophy of Jokes
“Finally I understand what it is I’ve been laughing at all these years.”—Jimmy Kimmel From the best-selling author of Why Does the World Exist? comes this outrageous, uproarious compendium of absurdity, filth, racy paradox, and gratuitous offensiveness—just the kind of mature philosophical reflection readers have come to expect from the ever-entertaining Jim Holt. Indeed, Stop Me If You’ve Heard This is the first book to trace the evolution of the joke all the way from the standup comics of ancient Athens to the comedy-club Seinfelds of today. After exploring humor’s history in Part One, Holt delves into philosophy in Part Two: Wall Street jokes; jokes about rednecks and atheists, bulimics and politicians; jokes you missed if you didn’t go to a Catholic girls’ school; jokes about logic and existence itself . . . all became fodder for the grand theories of Aristotle, Kant, Freud, and Wittgenstein in this heady mix of the high and low, of the ribald and profound, from America’s most beloved philosophical pundit.