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If I Have a Wicked Stepmother, Where's My Prince?

For use in schools and libraries only. In this hilarious and romantic novel, high school sophomore Lucy Norton, after her father remarries, is forced to move to Long Island where her evil new stepmother and annoying stepsisters make her life miserable.
In Praise of the Stepmother

WINNER OF THE NOBEL PRIZE IN LITERATURE In Praise of the Stepmother is the story of Don Rigoberto, his second wife, Lucrecia, and his son, Alfonso. Their family life together seems to be a happy one. Rigoberto, an insurance company manager, spends his time preening himself for his wife and collecting erotic art. But while Lucrecia is devoted to him, she has her own needs, and soon finds herself the object of young Alfonso's attention. With meticulous observation and seductive skill, Mario Vargas Llosa explores the mysterious nature of happiness. Little by little, the harmony of his characters is darkened by the shadow of perversion. If you enjoyed In Praise of the Stepmother, you might also like Mario Vargas Llosa's The Notebooks of Don Rigoberto.
Barack Obama’s Promised Land

In his introduction to the world at the 2004 Democratic National Convention, then state senator Barack Obama insisted, “There is not a liberal America and a conservative America—there is the United States of America. There is not a Black America and a White America and Latino America and Asian America—there’s the United States of America.” But as his latest memoir, A Promised Land, makes clear, Obama inhabits a smug, elite liberal America in which conservatives are not welcome. Indeed, from Obama’s perspective, their every thought, gesture, and vote is insincere and likely racist. Although the Obama memoir is obsessed with race, Obama as president and as writer has refused to address the one problem he knew to be at the heart of America’s racial divide: the disintegration of the black family. While Obama and his peers have profited from the opportunities America offers, his lack of courage has doomed the black inner city to another generation of crime, drugs, and educational failure. To divert attention from his own failure, Obama has cast the right as the “other” in his ongoing melodrama—driving a wedge between black and white that will take generations to heal.