Stand In
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Stand in My Window
Through essays with stunning photography, the beloved multimedia storyteller and author of Woman of Color shares the powerful lessons she’s learned about creating a home that honors the past and celebrates the future. “A generous, three-dimensional portrait that inspires the reader to reflect on their own sense of home and belonging.”—Rio Cortez, New York Times bestselling author of The ABCs of Black History “Home is a reflection of what we inherit.” Grappling with the state of the world over the last few years—the global pandemic, climate change, threats to women’s rights, constant racial violence—LaTonya Yvette began to contemplate the concept of home. What does it mean to cultivate safety when it is constantly under threat? How can we nurture joy and peace within the spaces where we spend most of our precious time? Who can we turn to for guidance along the way? In Stand in My Window: Meditations on Home and How We Make It, Yvette explores these kinds of questions as she takes readers through the journey of her own rediscovery of home. In eleven meditative essays, accompanied by 25 beautiful photographs taken over the course of writing the book, Yvette illustrates how the act of homemaking can be revolutionary, liberating—and one of the most powerful expressions we have of self- and community care. Woven throughout the book is the story of the nearly 200-year-old house in upstate New York that Yvette bought and painstakingly renovated, with the aim of creating a safe space for BIPOC communities. The house—Yvette’s ultimate expression of home—provides her greatest lessons. Both visual feast and emotional salve, Stand in My Window demonstrates that home truly is what you make of it—in mind, body, soul, and in the thoughtfully curated spaces we can build for ourselves anywhere.
Stand-In
Bill Grissom, seventeen, doesn’t have long to live, and when he’s given a second chance as a substitute for his counterpart in a parallel universe, he jumps at the chance to become the Golden Guardsman. Things go well at first. Along with Veil—Charlene Thompson, Matter-Man—Anders Nixon, and Monolith—Martin Bollock, the other members of the group, they dispense justice wherever it’s needed. However, Matter-Man’s insistence on getting paid for a job well done doesn’t sit well with Bill, and he becomes jaded and cynical about working for the Collective. To Matter-Man, and to the other members of the group, it’s all about the coin. As well, more and more super-criminals start to appear, and when Bill discovers who’s coming and more importantly, why, he learns that being a hero involves more than simply dispensing justice. It’s all about living up to the ideals of being one—something that could cost him his life.
Last Stand in Lychford
Celestial beings and human witches clash for the future of the human and fairy worlds in Paul Cornell's Last Stand in Lychford. There are changes in the air, both in Lychford and in the land of fairy. The magical protections previously employed by the town are gone, and the forces of darkness are closing in – both figuratively and literally. Can Autumn and Lizzie save their community, and... well, the world...? Exploding fairies, the architect of the universe and a celestial bureaucratic blunder make this a satisfying conclusion to the ever-popular Witches of Lychford series.