Stael
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Staël, Romanticism and Revolution
Author: John Claiborne Isbell
language: en
Publisher: Cambridge University Press
Release Date: 2023-08-17
Two centuries of sexism have hidden Staël's place in international history. Straddling the divides of the French Revolution, Napoleonic Europe, emergent nationalism, and European Romanticism, and playing pivotal roles in those movements, she was also a friend of Byron, Jefferson, and Tsar Alexander. Extensive archival research, and a complete contextual overview of Staël's writings, here restore Staël's canonical status as political philosopher, historian, European Romantic theorist, and Revolutionary. While the term stateswoman is not commonly used, it describes Staël aptly, acting as she necessarily did through men around her. The brilliant game of masks and proxies imposed on her by patriarchy is detailed here, alongside her unending fight for the oppressed, from the nations of Napoleon's subjugated Europe to the victims of the Atlantic slave trade. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Mme de Staël and Political Liberalism in France
This book sheds light on the unique aspects of ‘communal liberalism’ in Mme de Staël’s writings and considers her contribution to nineteenth-century French liberal political thought. Focusing notably on the ‘Considérations sur les principaux événements de la Révolution française’, it examines the originality of Stael’s liberal philosophy. Rather than contrasting liberalism with either multiculturalism or republicanism, the book argues that Staël’s communal liberalism challenges the conventions of nineteenth-century political thought, notably through her assertion of the need to institutionalize an organic intermediary connecting the two spheres, an idea later advanced by thinkers such as Jürgen Habermas. Offering a critical reappraisal of Staël’s multifaceted work, this book assesses the political impact of her work, arguing that the political influence of the ‘Considérations’ permeates the liberal historiography of the French Revolution up to the present day.
Germaine de Staël in Germany
Author: Judith E. Martin
language: en
Publisher: Bloomsbury Publishing PLC
Release Date: 2011-05-12
Germaine de Staël and German Women: Gender and Literary Authority (1800-1850) investigates Staël's significance as an icon of female artistic genius and political engagement for two generations of German women, including Caroline A. Fischer, Caroline Pichler, Johanna Schopenhauer, Bettina von Arnim, Ida Hahn-Hahn, and Luise Mühlbach. These authors drew a significant impetus from Staël's exemplary life and writings, especially her influential novels of political and artistic heroines, Delphine (1802) and Corinne, or Italy (1807), referring to them in order to authorize their own discourses on art and politics, and to buttress their identity as writers in a period when female authorship generated intense controversy. Taking references to Staël and her texts as a starting point opens fresh perspectives on German women's novels, while at the same time revealing their authors' participation in the broader European women's literary tradition. Whereas several novels from the first decade of the century echo Delphine by uniting domestic fiction with political themes, Staël's epoch-making novel of female poetic genius, Corinne, left a more lasting literary legacy in a tradition of German female artist novels. Corinne exemplified the creative woman's dilemma between fame and love, and subsequent German novelists explore this conflict, while several also emulate Staël's myth-making in Corinne as a strategy for attributing transcendent genius to their heroines. Reading for subtexts of female self-expression and development brings to light counter-narratives of female creative transcendence, often evoked through allusions to mythological figures. Martin suggests a revision of German literary history by uncovering a neglected tradition of artist novels positioned between the German Künstlerroman and Staël's newly inaugurated international dialogue on women's role in public culture.