Spring S Awakening Jazz Ensemble Method
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Standard of Excellence Jazz Ensemble Method
The Standard of Excellence Jazz Ensemble Method is designed to help both you and your jazz ensemble students explore the world of jazz through easy-to-use Rhythm Studies, Improvisation Studies, Instrument Specific Exercises, and full ensemble jazz charts. The approach is non-theoretical and aurally based. Each part book comes with an accompaniment CD, so like every great jazz player throughout history, students learn to play jazz by listening! (From Neil A. Kjos website: http://www.kjos.com/sub_section.php?division=6&series=80 - accessed 05/05/2011) This book is for Drums.
A Purple Summer
In February 1999, Steven Sater conceived the radical notion of creating a rock musical from Frank Wedekind's notorious Symbolist drama, Frühlings Erwachen, and he enlisted his friend and writing partner Duncan Sheik in the enterprise. That night, Sater came home and began writing the first lyric of Spring Awakening: “Mama Who Bore Me” – a lyric which still stands, verbatim, just as he first wrote it. Ten years later, in the wake of the enormous international success of this groundbreaking, multiaward-winning show, its original director, Michael Mayer, urged Sater to write notes explicating its famously evocative, poetic lyrics. In rich detail, Sater's notes address the literary sources and allusions of each lyric. He also writes feelingly of what prompted the songs over the course of the show's eight years of development. In so doing, Sater expands on his partnership with Sheik and his experiences with original cast members, Lea Michele and Jonathan Groff, now also known from Glee. These notes will prove invaluable for fans of the show, for all those interested in theater, and most especially for all the young performers who will play the roles and sing these songs.
Sir Arthur Bliss
Arthur Bliss (1891–1975) was one of the most important British musicians of his age. Born into a family where music played a highly significant role, his talent emerged early. He served with distinction in the Great War, in which he was both injured and gassed. After the War he set the musical world alight with ultra-modern works, earning himself the soubriquet enfant terrible and leading to his first major work, the Colour Symphony. His dual American/British birthright led to a close connection with the USA and marriage to an American girl, Trudy Hoffman, who would be a mainstay of his life. Before long he became the most performed British composer abroad and his portfolio of works included ballet, film (H.G. Wells's Things to Come remains one of the finest film scores), opera, orchestral, chamber, choral works and song. He was a diplomat, a skill that was recognized in many appointments from the Government to travel using music as soft power, notably to Russia in 1956. He served as Director of Music at the BBC from 1942–4, was knighted and soon after appointed Master of the Queen's Music. Bliss was a private figure who stated that the only way to get to know him was through his music. Paul Spicer takes this as his starting point for this pioneering biography, which underlines the timely importance of a complete reappraisal of this important composer's music.