Speculative Identities

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Speculative Identities

"Since the early 1980s, the novel has been deemed by many Italian women writers to be the most apt vehicle for creating positive images of the future of women. The novel becomes the space for confession, while at the same time allowing greater expressive freedom. There is no longer one voice for the ""feminine role"" and, by creating heroines who are also intellectuals, these authors offer their readers models of alternative versions of self. This study is a partial inventory of the new women's narrative and aims to provide a broad literary framework through which both the general reader and the student can appreciate the characteristics and innovations of contemporary Italian women's fiction. The writers chosen for this study (Ginerva Bompiani, Edith Bruck, Paola Capriolo, Francesca Duranti, Rosetta Loy, Giuliana Morandini, Marta Morazzoni, Anna Maria Ortese, Sandra Petrignanni, Fabrizia Ramondino, Elisabetta Rasy and Francesca Sanvitale) have achieved both critical acclaim and public recognition and their texts show the richness of voices, topics and structures in Italian women's writing today."
Before and After Hegel

In this engaging and accessible introduction to Hegel's theory of knowledge, Tom Rockmore brings together the philosopher's life, his thought, and his historical moment--without, however, reducing one to another. Laying out the philosophical tradition of German idealism, Rockmore concisely explicates the theories of Kant, Fichte, and Schelling, essential to an understanding of Hegel's thought. He then explores Hegel's formulation of his own position in relation to this tradition and follows Hegel's ideas through the competing interpretations of his successors. Even today, according to Rockmore, Hegel's system remains an essentially modern conception of knowledge, superior to Kant's critical philosophy and surprisingly relevant to our philosophical situation. Rockmore's remarkably lucid and succinct introduction to Hegel's thought, with its distinctively historical approach, will benefit students of philosophy, intellectual history, politics, culture, and society.
The Impossible David Lynch

Todd McGowan studies Lynch's talent for blending the bizarre and the normal to emphasise the odd nature of normality itself. In Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world.